Jo Verrent
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Jo Verrent believes that ‘different’ is delicious not divergent; that it adds vibrancy and texture within the creative sector.

Her work is about seeking to reframe the perception of diversity, through myriad events and opportunities – speaking, training, writing, curating, researching and reporting. She works across sectors at both a front line and a strategic level with individuals, teams and organisations, including national agencies such as Creative Scotland and Arts Council England.

Most recently she has: co-founded Sync – a national programme looking the interplay between disability and leadership for ACE, co-authored a series of essays on the creative case for diversity and become a Clore Fellow for 2011/12.

Jo was on the Unlimited Panel, selecting Commissions for LOCOG/ACE for the London 2012 Cultural Olympiad, and is currently an Artistic Advisor for ACE. She trains for Shape specialising in accessible events, working with Channel 4 and Artichoke’s team for Antony Gormley’s Fourth Plinth project, amongst others.

Jo has produced numerous activities - performances, programmes, festivals and tours. Her passion for the arts, belief in equality and love of all things different is tempered with wit and wisdom, and her pragmatic approach is based on her own experience of being hearing impaired since she was twelve. She has won two accolades of which she is equally proud – the national Cosmopolitan Woman of Achievement Award and her village horticultural show’s award for ‘Best Preserve in Show’, which she held for two years consecutively. In 2011, she took a further challenging role – that of grandmother.

Blog Entries by Jo Verrent

Bedding Out: When Taking to Your Bed Is Both Activism and Art

(1) Comments | Posted 26 April 2013 | (00:00)

When is taking to your bed both a political act and an artwork? Forget Lennon, at the moment the focus is all on Liz Crow's bed.

You might not know Liz Crow's name but you might remember one of her previous works, sitting in her wheelchair wearing a Nazi uniform...

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Access All Areas: Live Art and Disability

(0) Comments | Posted 8 July 2012 | (16:32)

Is Access All Areas a symposium report? Yes and no, and not just because of the two dvd's at the back - one containing material from the event itself (performance and symposium presentations) and the other selections of seminal documentation and works for camera from the last 20 years. Is...

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Pushing Watershed's Dick Penny into The Space, Arts Council England's New Digital Platform Created in Partnership With the BBC

(0) Comments | Posted 30 April 2012 | (19:04)

It's a good job the café is empty. Dick Penny is animated when excited; his language is loud and rich in profanity.

We are discussing arts funding in the UK. There is a lot of swearing going on.

Penny is a man on a mission, searching for a more joined-up...

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Can an Epileptic Seizure Be Art?

(0) Comments | Posted 22 February 2012 | (23:00)

A crowded library, a collection of artists, ethicists, scientists and others, and a sense of expectation. We are taking part in a Live Art Development Agency Study Room Gathering to discuss the work of Rita Marcalo and the development of a new piece based on her epilepsy, ElectroEncefaloGame.

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If This is The State of the Arts Then It's Not Access for All

(3) Comments | Posted 15 February 2012 | (23:00)

Arts Council England's State of the Arts Conference had a fantastic Twitter feed yesterday (#SOTA12). Provocative, entertaining, illuminating. Great stuff. Well done. But not enough.

I couldn't make it to the event so wanted to take part online - and was delighted therefore to see blogging, live streaming and...

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