It's Catlin Art Prize time again - the annual exhibition of the shortlisted candidates from the Art Catlin Guide featuring the most exciting new art graduates in the UK. Eight finalists this year have been given space at the Londonewcastle Project Space in London in which to develop themes explored during their art school years.
For the past three weeks, the 28-year-old sculptor has turned London's William Benington Gallery into her own studio with all the accoutrements required for creating high-spec ceramic sculptures - bags of industrial raw materials, assorted moulds, tools and equipment. And with lots of slushy material around, it's a very messy business.
Entitled #BedfordVoices, for the next month, billboards dotted around various locations in the town centre will proclaim the ideals of various charities and community groups in the form of hard-hitting political cartoons. The idea is to provoke thought and discussion about the issues raised by organisations that seldom get heard.
Jimi Hendrix once said, "When you're dead, you're made for life." The mythologising of celebrities who burn bright and die young - to which the guitar maestro referred and which turned out to be a self-fulfilling prophesy -is the theme of London street artist D*Face, aka Dean Stockton's forthcoming pop-up exhibition in Los Angeles.
Lancashire-born artist and sculptor, Jill McManner's obsession with this terrible beauty has manifested itself in her first solo exhibition, BASALT, at London's Mall Galleries. She exhibits some 60 watercolour works of these cliffs painted face on from sketches and photographs she made from the sea with the rock towering above her.
The main exhibition room features stories of destruction of both Christian and Palestinian identities. On the walls, we have pictures of hate messages against Palestinian Christians in the form of vandalism of their ancestors' graves in a cemetery in Lod to the extent that skulls and bones are visible in open air.