When I have finished a painting, I find it hard to summon up the confidence to start on another, I can fall into a bit of a pit, so if there are already roughed in works, it's like I'm not really stopping. I'll probably do a different kind of work soon, I'll probably be in a different place. Though these works, feel like my main work, I keep coming back to them.
I've been making paintings on hand-made paper for a few years now, I love the feel and look of them, not for the faint-hearted, a few crinkles can scare a canvas traditionalist off, I'm dead proud of them. One collector in LA said his framer had never seen anything like them, which I think is a bit of a compliment...
The focus on female artists is not superficial either. The Fair is dedicated to supporting established and up-and-coming female artists from all over the world so on Friday March 14th, the Fair will be teaming up with fashion house Gudrun Sjoden, whose spring collection has been entirely inspired by strong, artistic women, and host talks from Susan Mumford, Founder of the Association of Women Art Dealers.
Ah, Paris! You're oh so beautiful, so romantic, and also, somewhat expensive. The chic boutique hotels, the mouth-watering steak frites, un vin rouge along the Boulevard Saint-Michel - just staying, eating and drinking in the French capital can be a costly experience before you even add on the 'must-see' sights of the city.
Lancashire-born artist and sculptor, Jill McManner's obsession with this terrible beauty has manifested itself in her first solo exhibition, BASALT, at London's Mall Galleries. She exhibits some 60 watercolour works of these cliffs painted face on from sketches and photographs she made from the sea with the rock towering above her.