We all should know every Muslim is not a potential terrorist. Every Catholic priest is not necessarily a paedophile anymore than every blonde woman in a short skirt is a dumb bimbo. Every person who wears spectacles isn't an intellectual either despite the beliefs of Pol pot and the Khmer rouge that perpetuated stereotyping a la social engineering.
I am not embarrassed to admit that I often found myself crying when they were crying. Some of the survivors told me a lot and in detail; detail that was difficult to handle. Other survivors did not want to talk so much and if they did they could not talk about their time during the war. They preferred to talk about their family, their children and grandchildren.
A social venture and campaigning organisation, CSL's mission is to ensure that anyone that wants it has access to qualified tools and technologies that enable them to express themselves creatively, connect with other people and work together on arts based projects, thereby improving their quality of life.
Take a look in HMV and tell me what you see. For while the conveyor belt of the craven book publishing world rolls on, the art world preens and lumbers in search of the next concept, and our once glorious world of music has had its guts ripped out by the internet. Yet the musician persists in his efforts to have the cloth-eared hear his songs.
Signature Pictures is a London-based film production enterprise. Their #FutureFilm initiative suggested it was a good idea to offer Workfare volunteers roles on a short film. This way, the company would benefit from interns - the way nearly every production does anyway - and would produce a film that would give NEETs meaningful and constructive professional experience.
You might have already heard of Crowdfunding - the phenomenon by which an idea for a project or invention is relayed to the public, usually via the internet, in order to attract funds and become a reality. This year it has hit the mainstream with a bang - with celebrities such as Zach Braff and James Franco using it as a way to attain revenue for their own movie projects.
Tammam Azzam doesn't claim to be a representative of the Syrian people, but neither does he want to be treated as an individual. He wants to be one his fellow countrymen. And yet, as an artist, individuality is a necessity if one is to make a living. Perhaps that is why his first solo exhibition in London, I, the Syrian, a collection of surreal digital collages, bristles with defiance, paradox and tragedy.