In the process from script to screen sacrifices have to be made. One of the scenes we were all delighted with was a ménage a trois where a woman ends up in bed with one man dressed as the Bristol Rovers pirate and the other as Bristol City's confusingly-named mascot Scrumpy the Robin. Unfortunately neither football club would give us permission to desecrate their poor mascots.
How do you make programmes about books that people actually want to watch? And who - or what - should fill the gap left by the absence of books on mainstream TV? Macmillan clearly hope they've found the answer
Many people disregard the allure of the classic writers, seeing them as old, established, and jaded. Yet, in their day, these writers were the revolutionaries, cutting edge writing with cutting edge messages, and I challenge anyone looking at them anew to place themselves in the mindset of the reader of the time - even swap mental genders if you like - and see them as they were intended.
This evening, on returning home from a gig and after watching some 'Always Sunny In Philadelphia', somewhere around midnight maybe, I decided it was time for bed. I didn't feel like reading though, or watching any TV, or going straight to sleep.
In much the same way as a book by a male author about relationships or 'the domestic' (whatever that means) would never be given a pink cover, neither would it be described as anything other than 'contemporary fiction'. Why can't the same be true for books by women?