There's been much debate in the press recently about whether Kickstarter crowd funding campaigns offer backers a raw deal. If the rewards offered: previews, back-stage passes, special commemorative t-shirts, and premier invitations are really adequate compensation for early investment in a speculative project...
A musical biopic of Carole King might not seem the most likely of shows to secure production from the Broadway bigwigs but nevertheless we have an initial premiere at the Curran theatre in San Francisco, before the New York reviews in November. And it could be that those who signed this one off might be looking at a success.
Morris is adamant that Britain is in what he calls 'a really weird state of extraordinary creative health'. 'The cultural centre is healthy and has enormous capacity to grow,' he says, 'but we have all sorts of old-fashioned knee-jerk resistances to embracing that opportunity.' The trick, therefore, is to free the UK of its default setting of archaic mores and systems of thought.
Being involved in musical theatre from a young age, the score of A Chorus Line has been circling around my head for the last decade at least.
New York City became my favourite place as soon as I stepped off that bus. Aside from partying on hotel rooftops, eating copious amounts of pepperoni pizza and hardcore celeb spotting, of course I hit up all the tourist hotspots. The iconic monuments you see in movies and the infamous landscapes painted on posters are all there for you to feast your eyes upon.
How could a company as big as Samsung get its most important product launch of the year so terribly wrong? Can a bad launch damage end sales or is the device itself the only thing that matters? And what does a misguided production like this have to tell us about the management culture and mindset within Samsung?