There's something incredibly sad about hearing someone say they've never heard of Laurel & Hardy. Maybe it's because I grew up with them. They were a big part of my childhood in the 70s and they seemed to be on TV all the time back then. Even into the 80s, the BBC regularly showed the Laurel & Hardy classic shorts on BBC2.
'99 Homes', a tale of greed and corruption during the real estate crash is a tense and relevant drama - 'Captive' is a true story edge-of-the-seat thriller hostage drama - 'Mia Madre,' Nanni Moretti's family drama on the loss of a parent is saved by John Turturro- 'Solace' nods to 'Se7en', mixes serial killings with the supernatural but is lost in wide screen visuals.
Of course, the Krays continue to fascinate for the very same reason that the Great Train Robbers and to a lesser extent, the recent Hatton Garden thieves do. There's a glamour to them that we find irresistible. Secretly maybe we all want to be them, if only we had the confidence to get away with their crimes and our moral compasses were similarly a little off.
Cinema film classifications are essential. We need them. But 12A doesn't work. It encourages studios to dumb-down adult action movies to fit the rating; allows incorrectly classified older films to scare the pants off 10 year olds, and makes 13-year-olds believe that when you shoot someone they don't bleed, scream or writhe in agony, but just fall athletically to the floor and lie still.