Authors get writers block. They hit a wall, a creative blockage whereby they simply cannot write, no matter how hard they try. Journalists don't get writers block. How can they? Stories move too quickly, new things happen every day. Journalists have it lucky. There is too much to write about. Right?
One of the few things I have done right (eventually) was managing to get a deal with Harper Collins and having my debut novel "The Darkest Hour" published in the USA and UK. Finally, I did something right. Except I didn't. I made a ton of mistakes as a debut author... so I thought I would list them here...
As feverish NaNoWriMo writers across the globe step back from their overheated keyboards - some with 50,000 words in the bag and others with rather less - how do they keep writing come December when there's no deadline to hit?
The main secret I learned was there's no escaping the fact that the key to getting a book written is hard slog. But if you're going to do it, you may as well do it with copious amounts of cake and good company. I'm already planning my next escape, even if it does mean working on another novel to justify it.
This week I'm not housesitting. Here at home in South Devon I'm writing, creating, running creative writing workshops and musing on one of my favourite topics: creativity. In particular I'm thinking about inspiration for writers. Looking for some suggestions to free up your writing/creativity? Read on.
Getting children to love reading and writing can prove to be a challenge, especially with television, films and games being it's most harsh competitors. Having some family reading time can be very powerful. If your child sees you replacing TV with books then they are more likely to be inspired to get excited about it too.
In the aftermath of the Second World War Tom had to return to his family after spending the duration in Polly's tiny rural village. Circumstances and parents didn't allow the young couple to meet for a year. It was their daily love letters on cheap lined paper torn from exercise books that kept their love alive.
Everyone knows that children's literature can't possibly be high quality, right? It doesn't count as proper literary fiction, does it? It can't make people consider big issues or challenge ideas of genre, can it? This week, the University of Kent's creative writing programme embarrassed itself by its advertising strategy, followed by a series of rather ignorant tweets.