He made his intention clear; he wanted to completely abandon depicting reality and instead invent a new world of shapes and forms that belonged exclusively in the realm of art for art's sake.
Klein's fundamental argument is simple: in order to prevent global warming, we need an ideological shift away from neo-liberalism towards a fairer, greener and more egalitarian form of society
It is five years now since Duncan Campbell's Make it New John rolled off the production line. Pristine and gleaming in its 2009 plates, Campbell's film was very much that year's model.
Anselm Kiefer is widely considered to be the most influential artist working today. However he is not a household name. With this in mind, this new exhibition at the Royal Academy succeeds in not only showcasing a broad range of Kiefer's extraordinary work, but also in bringing much depth and context to the pieces on show.
Fantasies From The the Kitchen Sink is a story about the adventures of an ex-stripper called Fifi who makes a fortune writing her memoirs, and then moves to the genteel village of Dorking. She takes a cardboard cut out of Jean Luc Picard with her, and under his dictation she goes about causing chaos at the women's institute.
Publishing of tomorrow will be different due to the rise of independent authors, who write and publish their books in more formats, for more audiences and through more channels than ever before.
What Rahmanian did was take inspiration from contemporary methods of storytelling, cinema being a key influence, along with the influence of Ferdowsi himself, who in his creation of the Shahnameh retold the ancient myths and stories of Iran's birth as a civilisation to be reckoned with.
I hope that my books - and whatever forms the stories may go on to take - will capture the imagination of their readers, create a vehicle for discussing environmental issues, and encourage young people to tackle global challenges by becoming the scientists and engineers of tomorrow.
I therefore found myself rushing to see the Matisse cutouts at the Tate Modern, the Folk Art at Tate Britain, the Marina Abramovic at the Serpentine along with the annual pavilion there, as well as a show at the Science Museum by Joshua Sofaer called the Rubbish Collection.
There are numerous reasons for visiting England's Stately Homes, one being that you learn history right where it happened. However, another is that they offer a wonderful reference point for interior design, often being the ambassadors for style of a particular era.
Incredibly, boldly, Kate sets aside an orthodox playlist in preference for a three-hour piece of theatre that's as much an exploration of the human subconscious as it is a showcase for Kate's illustrious back catalogue.
At GCSE, I studied Steinbeck and Priestley. My first year at A-Level, I studied Browning, Auden, Fitzgerald and Hosseini. It was only in the second year that I studied Carter and Bronte as well as Marlowe. Work by female authors took up less than a third of my secondary education space - and unequal gender representation is set to increase.
John Constable remains one of Britain's best-loved artists and I don't think you will ever see a more thorough examination of his approach to and design of his work than this new exhibition at the Victoria and Albert Museum.
"Identity is not as stable as it once was. It is transient, fragmented and manufactured." So say Jonny Burt and Joe Kennedy in the catalogue foreword to U, the new exhibition of portrait paintings at The Unit London of which they are the directors.
With globe-trotting having fed his muse (he has lived in Tokyo, New York, Sydney, Rome, Amsterdam and Barcelona), Thomson has now based his family in London, his intellect undimmed by what some might call the coziness of home.
What to do if you're not JK Rowling, you don't have a big publishing house to promote you but you're determined to make your book a success?