I am aware that exams and qualifications are the currency of success these days; it is how it is. But that is the easy path is it not? We can coach, we can cram, we can meet the bright but reluctant working class scholar half-way by softening the questions. Then we can celebrate.
Apathy is a strange curse. I recently conversed with a friend over the diminishing motivation of my generation. It's not that we're lazy, nor are we disinterested in the workings of our planet, but there is a heightened degree of the 'It will never happen' attitude.
I recently had the good fortune to play the sole female character, 'Curley's Wife' in Steinbeck's classic Of Mice and Men at Birmingham Repertory Theatre.
No one says they want to get rid of the NHS. Everyone praises it, across all parties. It is about as powerful a symbol of goodness that we have, so it would be too dangerous not to. But for decades now, there has nevertheless been a systematic undermining of its core values.
Sukina (my band member) and I often joke about performing to new audiences and how it takes about three songs before they get over the shock of hijabis running across the stage, telling them to throw their peace signs up.
Human Rights, Human Wrongs at The Photographers' Gallery is a thought-provoking photography exhibition that examines the legacy of iconic images. Spanning the years from 1945 to the early 1990s, the exhibition reflects the major political upheavals, conflicts, wars and struggles against racism and colonisation that became particularly urgent after the Second World War...
My art practice is like a constantly evolving self-help course where I am as much the therapist as the client. The intent of this body of work was to expose myself to such extreme levels of sugar and junk food that I would no longer want to eat it again...
My biggest inspiration is the people I know, the relationships I have with them and being part of their lives. They contribute to my life and affect it immensely and I try to add something to theirs.
In anticipation for his upcoming solo show 'Monster', Carla Nizzola and I visited Magnus Gjoen's new Hackney studio set up to pick his brain on the inspirations behind his most refined collection to date.
Although two very different shows, with very different atmospheres - the themes raised by each artist successfully manage to complement and elaborate on the work of the other.
Inequality is everywhere at the moment. Scarcely a day goes by without a new take on an age-old story. Inevitably, much of this has focused around money - the super rich, multinationals, bonuses, the wage gap, housing, Swiss bank accounts, tax - all have been under the media spotlight in articles that generate anger and jealousy in equal measure.
If we want to build a safer and more prosperous world, there needs to be a rapid, massive and sustained increase in the number of people who have access to justice.
SPID's latest performance Arthur's World, took the council estate to the attic space of the Bush Theatre. It was staged in an 'immersive' environment, meaning the audience were invited inside the fictional world of the play; character Arthur's council estate flat.
Why is it that the composers, songwriters and performers who create this independent music are so often perceived as having little in common? Does an upcoming electronica or left field hip-hop artist really have such vastly different career development needs as, for instance, a classically-trained composer?
Lee's appointment came four years after the death of her husband, Aneurin Bevan. Their combined impact on the nation we know now was considerable: between the two of them, they gave us not only the first ever Arts Policy, but also the National Health Service and the Open University.
Flamenco at its best communicates at both visceral and intellectual levels. Good flamenco holds me despite obstructions and irrespective of where I sit. It transports me or absorbs me totally.