Wherever you look women's history and their stories are not given equal value. And this is easiest to see in the realm of drama and theatre, which have at their very basis the art of storytelling.
Plays such as Michael Frayn's Copenhagen, my Oppenheimer or Complicité's A Disappearing Number are not truth - they are not documentary. What they do is introduce a scientific figure or a scientific idea, tether it to the structures of story and drama, and introduce an otherwise unknown aspect of history to a new audience.
The Tate has opened a wonderful new exhibition on Sonia Delaunay, the exciting avant-garde artist whose bright and colourful works spanned not just painting, but also textiles, fashion, theatre and design.
Romania has been a constant presence at the London Book Fair since 2007 and I pay my tribute of admiration to so many writers, publishers, translators and literary promoters who, along these eight years, have showcased the excellence of Romanian literature and established lasting relations between Romania and the UK.
As reported by the national press, the young girl is called Hudea and she was photographed in December 2014 at the Atmeh refugee camp in Syria, near the Turkish border, where she had travelled with her mother and two siblings, roughly 150km from their home in Hama.
There is a delicious darkness to Roald Dahl's original book about a vile and dirty couple who are rotten to the core. You relish their horrid plots and laugh at their wickedness. I desperately wanted this adaptation to capture that spirit but the result is not good, patchy at best.
What if we could make space for an entirely new garden in Central London? What if that garden was by one of the world's greatest garden designers? What if it could also reduce pressure on London's transport system?
Four salient reasons to resist the rise of trigger warnings in higher education and general usage. For the sake of resisting censorship by stealth, for the sake of artistic integrity, for the sake of maintaining serious intellectual openness in higher education, and for the sake of those suffering from trauma themselves, I beg you - don't get too trigger-happy.
I know what you must be thinking...art, really? What good is that? But for centuries the arts have had the power to sway the hearts and minds more than cold facts and figures, so why not see whether a marriage of the arts and science might give birth to some novel and practical responses.
Set in 17th century India, Dara tells the story of two Royal brothers - Aurangzeb (Sargon Yelda) and Dara (Zubin Varla) - who are pitted against each other in a battle for succession. In a poignant reminder of how little has changed in 400 years, Puritanism competes with opulence, regression with enlightenment, and dogma with humanism.
Erwin Mortier is a Flemish writer, whose work is sadly little known in the Anglosphere, but thanks to Pushkin Press that is changing. Erwin's literary style is unorthodox, always merging a diverse roster of themes to create stories that are deep with emotion. He has been dubbed the voice of his generation.
Based on historical events 'One Night, Markovitch' takes the reader from Europe, as she was fast approaching the onset of World War II and British Mandate Palestine. Ayelet takes her skills as a storyteller to new heights, crafting a tale structured around both historical and deeply personal events.
I first read her poem, For Shaima, few years ago; it was written for an Iraqi girl whom Wolfwood met in 2001 in Baghdad.
Once I get to know some people in a country I absorb their history and culture continually; they tell me about their nations history (a golden age when they conquered their neighbours is invariably highlighted). Then I start reading and I never stop learning about their culture until I leave it.
Justin Butcher's Devil's Passion is a welcome antidote to the dull and done to death, a light sandblasting for jaded souls. It's also a timely piece, casting Jesus in the role of extremist preacher, whose dangerous ideas have the potential to cause untold instability in the Middle East and here at home
In 1859, Mary Anne Evans became George Eliot in order to be taken more seriously as a novelist at a time when it was believed women wrote only light romances. Today, it's male authors who adopt female pen names to be taken seriously as romance writers.