Some (men) say that Pinter has just as much disdain for men. His male characters vary from a bit pathetic to utterly cruel. But the point is that the leverage they have in the world comes from more than what's between their legs.
Peter Mair's superb short book Ruling the Void is rightly regarded as the essential text on the subject of disaffection with mainstream politics.
What can be done? Seeing is believing. Before researching this post I had no idea how far the imbalance tipped. The lack of faith in female artists is entrenched. Awareness is key. Women artists must confront the reality of their present situation. We must talk about it, loudly.
Refugees and migration, and integration and identity, are pretty timely subjects given current headlines so it's quite some coincidence that the Ben Uri Gallery is celebrating its centenary with a show at Somerset House, Out of Chaos.
Da'esh are ignorant to the history of the world, and the things that make it bright. By exploring the nuances of global culture and heritage we can bring communities together in understanding of our commonality.
The cancelling of Timbuktu's music festival this weekend is significant. In the past couple of weeks I've been getting emails about music making a return - something Mali has been desperately waiting for. I heard through my friend and colleague Andy Morgan that Manny Ansar, the director of The Festival in the Desert, possibly the most remote and awesome of all the festivals, seemed hopeful of bringing it back to Mali.
Turkey is the perfect year-round destination for the traveller who simply can't make up his mind. Whether you're looking for the hustle and bustle of a city, or the slower pace of life on the coast, Turkey can cater for you.
Last year I was approached to be a part of the film and music series at HOME, Manchester's newest multi-arts venue. I was asked to create a live score for a silent film. My first choice was HÄXAN: witchcraft through the ages, a Danish horror documentary charting the varied perceptions of witchcraft and satanism from ancient times to the contemporary 1920s setting.
Get up and push yourself out of the door because you've seen some interesting light. Leave your bed or your good book for later. Venturing out for exploration will always be rewarding. Don't let the cold weather keep you inside; shake up your body and your mind and go and find something extraordinary.
Pastels are a nightmare to work with, and they provide a real challenge for artists who want to add delicate details and tones. So how wonderful it is that the Royal Academy has chosen to put on a show on Jean-Etienne Liotard so that more can marvel at how this artist mastered this tricky medium.
I believe there were three flashpoints in Miller's youth that shaped his entire life's work. The first, and perhaps the most enduring, was the collapse of his father's business during the Great Depression of the late 1920s.
"Our challenge was really to educate the communities when it comes to hygiene practices, to help prevent further spread of Ebola", says Bob. "I think it was a real eye-opener for everybody involved.
There is so much cultural life going on outside London - much less in Scotland, Wales and Ireland (North and South) and that if you stay in London (like so many New Yorkers who never go further than Brooklyn) you really miss out.
Why time is such a sensitive issue is because it defines our awareness of space and others. As the world keeps shrinking in front of me, I feel like perception and use of time remain the few concepts resistant to globalisation. Time is where globalisation stops. It puts communication and adaptability of human species to test.
I could write a whole dissertation on how Deborah Pearson's writing rattles me more than Beckett but I think it would go on forever. (A BIT LIKE A BECKETT PLAY LOL.) All I can do is grasp you by the wrists and stare into your eyes in a way that makes you slightly uncomfortable and tell you that if the opportunity presents itself to see Pearson's work you must go immediately.
Last weekend Art Kinetica set up camp in the Hospital Club, London for a three day festival: Gravity. The festival and accompanying exhibition ties in with the 100th year anniversary of Einstein's Theory of Relativity and marks the start of a three month residency which will showcase the work of 17 'transdisciplinary' artists.