It is amazing to see the large contribution made by the many creative voices within the sector, that are continuing to work and make the creative world a colourful place. But this isn't just the people that are on our screens and stages making the noise for diversity. It is also the people in education who want to make change, the new generation of graduated talent or soon to be graduated talent.
After the first episode, we were left with the pieces of a challenging jigsaw scattered all over the floor - with not much idea how they fitted together and whether they were all part of the same puzzle. The writers provided us with a few theories that left seasoned crime drama viewers saying "That's far too obvious", so we are certainly in for an interesting ride as the series unfolds.
So perhaps a drama school that endeavours to train its students how to be an actor, should enlighten graduates as to just what is possible. Promotional work, corporate work, work that uses the skills they have learnt as actors to engage with the public. Somebody has to wear that Sponge Bob Square pants suit in the shopping mall on a Saturday afternoon. How much better for all concerned if it's somebody who can really make it look fun.
My son at five (he's now eight) had echoes of all these traits, and seeing them clustered together strikes a sad chord pitch perfectly. Though as the story progresses, it's clear the boys are a million miles apart, which is a boon for autism awareness; people with autism differ wildly from each other, but the spectrum encompasses some spottable similarities.
I'm not sure how often this bitter old Berkoff actually engages with young actors. I'm not sure how many he works with, (Imagine having to spend a day on set with this old bore) but I'm pretty sure he hasn't had anything to do with any of the graduates I've had the pleasure of working with over the last few years.
All training institutions offer a wide range of skills to their students and I firmly believe that we still offer the best actor training in the world here in Britain. Indeed I believe we train the best actors. I don't believe you can be taught how to act, but I think you can be taught how to be an actor.
These people can be of any age, ethnicity or gender. They always put someone else's needs and welfare before their own, often without recognition or praise. Many have little chance to socialise, which can lead to isolation; and they have an overwhelming sense of responsibility. Who am I talking about? The UK's 'hidden workforce' of unpaid carers.