Iby was born in Czechoslovakia, where she was excluded from school for being Jewish. She was later smuggled over the border into Hungary, where she ended up working for the Hungarian resistance in Budapest. She was eventually captured and taken to Auschwitz-Birkenau. Iby is a remarkable lady and to have her in front of us sharing her story was truly captivating.
Everyone knows that children's literature can't possibly be high quality, right? It doesn't count as proper literary fiction, does it? It can't make people consider big issues or challenge ideas of genre, can it? This week, the University of Kent's creative writing programme embarrassed itself by its advertising strategy, followed by a series of rather ignorant tweets.
It was a cold November evening when I found myself seated expectantly for Core Theatre's delightful production of Tom Stoppard's 'Rosencrantz and Guildenstern Are Dead'. Staged in the Paragon area of Bath (a hidden gem in its own right) Core's production is the result of months of hard work by Director Andy Cork, the production team and the cast.
For all those who think Bruce Springsteen is "Dad music that sucks" (a statement that is probably based solely on Dancing in the Dark and Born in the USA), I ask you to search beyond the only two songs you're likely to hear on the radio, because that's when you find the really good stuff. Delve into your parent's record collection and pull out something by Springsteen, because the chances are, you've still got time to make it to a pretty incredible show.
Having taken part in Dragon's Den this series and working closely with UK Trade and Investment, I'm now even more aware of the importance of funding and supporting the great ideas of future business leaders. What's particularly close to my heart is nurturing and growing the ideas of young people domestically and into international markets.
For months, the debate over universities' decisions to ban Blurred Lines has remained heated. The obvious reason for the ban is that the song is rife with sexism and casual support of rape culture. There is no doubt that the song is sexist. Robin Thicke himself does not deny that it demeans women...