In four and a half billion years of existence there have been no creatures more dramatic or scarier. Whether they would be as popular if they existed today and were stomping down the high street, I don't know, but they're perfect for films because they are more spectacular, more awesome than most animals today, more like monsters, and yet they are real.
It isn't just that Family Guy is a rival series that makes this move so emblematic of The Simpsons' slide. Al Jean, one of the few remaining staff writers who has been with the show from the beginning (albeit off and on), has referred to Family Guy as "derivative", and numerous sly accusations of plagiarism have made their way into recent episodes.
Many have claimed that the show has lost its sharp edge with repetitive storylines and a lack of real danger in later seasons. Season seven rejuvenated the show with the revelation that Dexter's sister Deb discovered her brother's deepest, darkest secret. Here are the eight top things we want to see from season eight.
Lauren Oliver is the best-selling author of Before I Fall and the Delirium trilogy. The final book in the latter series - Requiem - has just been released. It wraps up the story of Lena, a plucky young woman who lives in a future America where love is classified as an illness and young people are "cured" of the disease.
Veronica Mars. These two words prior to March 13 were synonyms to failure amongst US TV executives. Not only was that assumption stupid, it was just shallow. Not only has Warner Bros been able to gather up preproduction positive publicity, it has put Veronica Mars in a position and an international limelight in a way no other movie has experienced.
You could call it the last nail in the coffin for street art's underground credentials, or simply proof its biggest stars don't take themselves too se...