This could be the biggest revelation in Australian horror since... well, ever. One of those rare films that burrows under your skin and leaves an impression for a long time after the credits roll, it has been generating overwhelmingly positive critical reviews since its worldwide debut at the Sundance Film Festival where it won Best Actor, Actress, Screenplay and Feature.
There is a first time for everything, but most have probably been to a cinema with your boyfriend/girlfriend or a bunch of mates several times. I just went to watch Transcendence, and for once, I skipped the company part and went in singularity. Here are five reasons why you will benefit from doing the same.
In four and a half billion years of existence there have been no creatures more dramatic or scarier. Whether they would be as popular if they existed today and were stomping down the high street, I don't know, but they're perfect for films because they are more spectacular, more awesome than most animals today, more like monsters, and yet they are real.
The new Walking With Dinosaurs film as I think this is the most realistic portrayal of dinosaurs that's ever been done on the big screen. I spend my life studying dinosaurs, pouring over the dry remains of their multi-million-year-old bones. This film brings dinosaurs to life unlike anything I've ever seen before. It brought a tear to my eye seeing the Gorgosaurus for the first time.
Gravity is simply beautiful to look at, a galactic ballet, if you like. Tears float like bubbles and flames curls like tendrils of golden ringlets, and all the while planet Earth is spread out before the astronauts, an awe-inspiring tableaux. Meanwhile, Jonas Cuaron's script ups the ante at every turn, keeping us hooked and fully invested in the story all the way.
Sandra Bullock and Melissa McCarthy work so well together, you wonder why someone didn't get them to team up before. Here Bullock plays uptight, by-the-book FBI agent Ashburn (a character not a million miles away from the one she played in Miss Congeniality) coerced by her boss to partner with a maverick Boston cop, Mullins (McCarthy) to catch a drug lord.
Everything I saw at last weekend's Sundance London Festival had that effect on me. There wasn't a single dud amongst the five feature films and the programme of 10 shorts that I watched during the festival. Still, The Inevitable Defeat of Mister and Pete stands way out as the screening that generated the most emotion from me.
Jonathan is also half of comedy duo Teakshow. But, as well as the comedy streak running through him there is an entrepreneurial streak.
At the recent Edinburgh Fringe, for the second year running, far-and-away the trendiest show among comics themselves was Set List - Comedy Without a Net, in which, when they go on stage, unprepared comedians are given five (usually bizarre) phrases which they have to weave into an act. They do not know the words in advance and the phrases are revealed only one by one during the comedians 'set'.
With the recent release of the final film in the highly acclaimed The Dark Knight Trilogy, Christopher Nolan has once again shown the world that superhero movies do not necessarily need to be about a whole lot of special effects and they can always chose realism over fantasy if and when one has to choose one of the two.
Spider-Man's costume is indisputably the greatest superhero costume of all time. Steve Ditko's design is flawless in every aspect. This one dispenses with the best thing about Ditko's costume design - the curved webbing. The curved webbing, in this new incarnation... is straight! He looks like he's wearing a trellis!