Martin Finnin current exhibition, titled: Renegade Amongst the Dusty Nouns, at the John Martin Gallery in Mayfair skilfully recreates an abstract world that consists of figures, movement and memories.
Critics might accuse the majority of the Palestinian diaspora's work as being political, and by implication less worthy of praise. But Halaby embraces the label. "Semantics!" she says to The Majalla, "Don't be fooled: everything we do is political. Staying silent is political . . . Yes, my art is political."
As we gaze upon records of art history, we find that this phenomenon - the drive to create being coded into sisters, brothers, fathers, and mothers - is more common than one would imagine! In the Renaissance and Baroque periods, art families were scattered over Europe, as 'artist' was viewed as a trade like any other.
At the Edges celebrates the exquisite. A 'place' where reflection, commonly associated with the experience of landscape, actually becomes a part of the work as in the work of Gary Colclough. This exhibition addresses itself at what is usually regarded as an undemanding and exhausted genre of painting.