A true entrepreneur does what he or she loves, therefore, to them, it is not even like work. Days blend into evenings, weekdays blend into weekends; there is little to no distinction between work and play. No such thing as time off! So, as time passes by and health permitting, why would that person ever want to stop doing what they love?
I've kicked around the publishing game for a while. In the past decade I've had two books published by traditional publishers, and four by digital publishers. On the flip side, I've collected more rejections than I can count. I've experienced the high's and the low's, and now I'm going to share with you some of what I've learned...
As the controversy surrounding Kate Winslet's 'unrealistic' Vogue cover rages on, I meet with a world renowned high end retoucher, Pratik Naik (Vogue, Marie Claire, Elle, FHM, Cosmopolitan and The Observer) to discuss aesthetics, ethics and the more technical aspects of beautifying subjects on commission.
The medley of today's media is unprecedented. While Britain's biggest publishers find themselves in similarly unparalleled levels of turmoil - shrinking revenue, the threat of state regulation, and a growing tendency to aim their guns at each other - the range of outlets beneath them is fragmenting like light through a prism.
Self-publishing is about staying in control of your destiny as a writer and having a say in how your book is packaged, produced, distributed and promoted. It is about making your own decisions, in collaboration with the experts (and in some cases, fans) to ensure that your work reaches readers in the way that is right for you.
We sat in the kitchen for our writerly discussion. He held a sheaf of A4 paper, covered in typescript while I was armed with my favourite pen and my kitchen reading glasses. I slid them onto my nose, squinting around the scratches and food smudges. Two mugs of tea and a plate of just baked flapjacks sat on the table between us.