What is it about rock stars that won't make them quit while they're ahead? ... I mean, just think of some of the more hedonistic behaviour - eating bats (Ozzy Osbourne), the shark episode (Led Zepellin), urinating on the Alamo (Osbourne again) - if any of them behaved like that in a nursing home then they'd be dosed up and diagnosed with senile dementia.
There were crowd crushes, there were flares, there were naked guys climbing up towers and there were bloody noses. But aside from all the ominous scenes and injured gig goers that have dogged the headlines since Saturday, The Libertines at Hyde Park was a much needed injection of much-missed rock and roll.
As The Beatles' 'Tomorrow Never Knows' fades out over the PA, the feedback groan of Barrie Cadogan's Gibson splits the air, a white umbilical guitar lead coiling obscenely into the amp. Five minutes into the gig and the band has put a grip on a crowd who twist with delight in the dark womb of the club.
Serious-minded songwriters have returned. Gone is the foul, metastasising era of Stock Aitken and Waterman and their 'Hit Factory', swept aside at long last by a tide of musicians dedicated to making music of depth that resonates with a music-loving public, a public which is awakening from its own bad dream of botox, gussets and 'Zig-a-zig-ah'.
But how many of the geriatric set pushing 70 can still do what they do? With four sold-out shows in Newark and London, they're rumored to be planning a world tour tour next year, dubbed 'GRRRR! 50 and Counting'? You've got to hand it to the Rolling Stones, even if their motivation these days more likely is money for their families than creating great music.
When we first started out I had no ambitions other than not being a one-hit wonder. That was it. I didn't want to just have one tantalizing taste of what we were chasing and then no more. I didn't want to work in the family ice cream business. Of course, I wanted to be a success but, if you'd have told the young man that I was, that nearly half a century on he'd still be getting away with it, I'd have laughed you out of Catford... Some poor sod worked out that we've done over 6000 shows, played to over 25 million people and been away from home for more than 23 years.
Johnny Rogan's 1992 biography of The Smiths' leading duo and subsequent fall out is a big seller and the definitive take on one of the 80's best loved and most missed bands, at least until Johnny Marr and/or Morrissey release definitive autobiographies. It also has the potential to make a great biopic.
Activists involved with the Occupy Wall Street movement are working with a record label set up to support the movement to launch a high profile community outreach project. The School of Roccupy is a collaboration between Occupation Records and Occupy activists that aims to creatively engage high school students with the processes and idealism of Occupy Wall Street.