We were able to find out things I've done to other humans - from suicide to AIDS and everything in between. I remember playing this back to the production team for the first time - it seemed like the dynamic in the room shifted a little as everyone was confronted with the effects of a lie I told aged 16.
We, as a society need to rethink how we treat obesity - medically and socially. Each day when I leave my house I am confronted by fat phobia - be it shouted from white vans or the huff and puffs of people forced to sit next to me on public transport. I am fully aware my body repulses some of you- but I don't care
With 'Camp', my new show at London's Roundhouse, I'm trying to carve out a space where things can be fun and I can experiment without being controversial in a vulgar or grotesque sense... and it's about coming to terms with my own effeminacy and a public proclamation of the things that have shaped me.
Critics have a bit of a reputation for watching your work with what locals up here would call 'a face like a smacked arse' but when I forced her to sit in my eyeline and wear a party hat like everyone else she looked engaged and even LOL'ed - why was I staring at her during the show as if I could predict her review or manipulate her experience?