Dessa Rose is set in America's Deep South through the 1840s, telling the story of two young women who are on very different paths, that ultimately cross.
The story of Dessa (Cynthia Erivo) a young black girl who is pregnant with a fellow slave and is also accused of murder, runs parallel to that of Ruth (Cassidy Janson), a young white mother who has been left in sole charge of a plantation following an unfulfilling marriage.
It's been a week of ups and downs. Literally. This week the Annie Get Your Gun team have been in the beautiful, and somewhat hilly, town of Great Malvern at the Festival Theatre. It's one of the smallest venues we play on the tour...
Rob Ward's stunning solo-performance brings to life this heart-aching tale of a young gay man's journey to self acceptance. The play, co-written by Ward and Martin Jameson, is simple yet haunting. It's everything someone should want to see at The Fringe.
It's here! That crazy month where tons of creative, funny and just down right weird performers (myself included) flock to Scotland for a month of drinking, flyering and probably some performing. This shall be my sixth Edinburgh so it's about time I wrote a "A Guide to the Edinburgh Fringe" blog.
The Nether is a dark, dystopian play that explores the worst of human behaviour in a world where we live almost entirely in a virtual reality. It is disturbing but it is compulsive viewing. You can't look away no matter how much you want to.
The 2014 Edinburgh Festival is imminent. I am excited. My latest play, Fragile is being staged on the fringe. It is an autobiographical narrative about how I was sexually abused when I was eleven years old. It is not a comedy.
This is the week that the Annie Get Your Gun girls have been anticipating/dreading for the past couple of months. Ever since the delightful Lorna Want asked during rehearsals if anyone would join her for the Race For Life, we've been sweating our backsides off in training during our spare time in preparation for today's 10k race around Hyde Park for Cancer Research UK.
My daughter wants to be an actress. Words that should strike fear into the heart of any right thinking parent. I've gently tried to discourage her from what I perceive as a harsh life, but she comes alive on stage and has held on to this ambition to the exclusion of other childhood dreams. Luckily my daughter is only seven and there is plenty of time for sense to prevail, but were she to continue on her path, what should she know?
When I'm not onstage, I co-produce the independent Noodle Palace and Midlandia venues during Western Australia's Fringe World festival, so I'm out seeing a lot of shows come Australia's festival season from February through April. A lot of these end up at Edinburgh come August. Here are ten of my favourites. OK, eleven.
'Northern Flight' has seldom left my mind since it finished. It provides an emotive exploration of the issues that lie at the heart of the city's identity. Patrick's words to me at the end of our interview have filled my thoughts and followed me through the streets of this beautiful city: "Liverpool is a city that tells you that you can do something, rather than that you can't."
Yesterday I headed out to the theatre to see the wonderful Richard Armitage take on the audience at The Old Vic in an atmospheric and ambitious performance of Arthur Miller's 'The Crucible' on a balmy Wednesday afternoon to celebrate my anniversary.
The story of a jilted wife, who murders her children as a way of revenge against her soon-to-be ex-husband is always going to be dark but Carrie Cracknell, in this new version of Euripides' work by Ben Power, brings us a genuinely disturbing production.
This is Jonathan Wilkes' first full week on the show and as such it's the first time he's done a tech session with us. I think he's suddenly very grateful to not have to do these normally as they're pretty long and intense. There is much to soundcheck plus two new Little Jakes to rehearse in and the Churchill Theatre proves a slightly odd space sound-wise.
At the heart of this production is an immense performance from Richard Armitage who perfectly captures the profound inner conflict within John Proctor, a man increasingly at odds with both his wife and the society in which he lives.
This week's blog comes from the top of Arthur's Seat in Edinburgh. Well not the very top, not the stone itself, but one of the little rocky groups literally six feet away from it. The actual top is pretty dinky and currently awash with a group of Spanish tourists - it seemed rude to hog it for long enough to write a blog!