Shearing layers sound, text and image. His pieces have no live performers; instead the work is designed to encourage audience members to engage deeply with the scenographic elements.
As an avid theatre attendee it is a pressing concern of mine - without crunching too many numbers or exhausting the topic - that the prize of theatre tickets in London's dazzling West End are increasing to astronomical heights.
The Hard Problem is Tom Stoppard's first new play since 2006's Rock & Roll and therefore this is a much anticipated production at the National Theatre. The Hard Problem in hand is simply, what is consciousness? But the play itself is actually hard going.
The plays scoot along exploring philanthropy and privilege, the motivation behind breaking boycotts, how the media spins everything in our modern world, how money corrupts even the simplest of day to day events, the exploitation of minorities and the distortion of history...
In this ever fast paced society we want the big stunts and need to gasp with our hearts racing before we will confess to being entertained. Are you not entertained, asked Maximus Decimus Meridius and Jay Z. No, not when the clowns are on we're not.
Shakespeare's classic tale becomes The Merchant of the Venetian as director Rupert Goold replaces the play's traditional setting of Venice with the casino floors and glitzy lights of Las Vegas, complete with Elvis impersonators, Vegas showgirls and even Cirque de Soleil-style gymnasts.
It's almost impossible to be really happy with something you've done yourself. But does the script best represent your writing? Has it got passion? Are any boring, overwritten bits definitely gone? Have you had enough feedback and done enough re-writes to be confident that this is your best attempt?
Wow, wow, wow! Assassins at Menier Chocolate Factory is absolutely stunning. With music and lyrics from Stephen Sondheim and a book from John Weidman, this is such a dark, riveting revival of a musical about those few who've tried to assassinate the President of the United States.
There is no doubting the appeal of the following 11 productions due in 2015 (I simply couldn't get the list down to just 10). So get to see these if you can - but never dismiss the possibility that the year's best play may, again, be an unanticipated gem!
I'm already a massive fan of Theatre Peckham and have worked with them this year to carry out some research into what it is that young people value most about participating in drama, theatre and performance.
This festive season, Trafalgar Studios is offering up an alternative look at the work of Charles Dickens, in the form of 'Dickens with a Difference.' The double-bill incorporates the London premieres of Miss Havisham's Expectations and Sikes & Nancy.
We now bizarrely, in our age, follow the narratives of famous strangers, feeling as though we know them in some weird way by following their trial and errors. We follow them to gain some understanding of who and where we ourselves are. Modern man in search of a soul, said Jung.
Anthony Sher is the star casting as Falstaff and, of course, he is superb. Everything about his performance is superb - the delivery, the warmth, Falstaff's arrogance and his manipulation of those around him, and that great speech on the eve of war on the perversity of honour is moving and powerful.
In the run up to Christmas most working parents will have already planned their Christmas leave, but taking time off is the easy part - what isn't so easy is making sure you have enough things planned that make the Christmas holidays fun for the whole family (especially if this year you're having a 'staycation'!)
It's that time of year again. Yes, it's time for the pantomime season and this December sees the Tron Theatre showcase their production of Miracle On 34 Parnie Street. Parodying a film classic, we are presented with Johnny McKnight's own unique take on everyone's favourite Christmas movie.
The niche that Grimm Tales is aiming for is not easily achieved - open for the above eights, but also entertaining for adults - and perhaps this is the production's downfall. At times, the script is tickling and enjoyable, yet at other moments it is glaringly poor and simplistic, whereas, when taken as a whole, the evening is of somewhat formulaic fantasy...