My hope is that the future of theatre is emancipated from these limitations, that gender stops being used to define who we are or what we are capable of. In our lives we empathise and connect on a human level, beyond race class age and gender - shouldn't the arts reflect that too?
The 20th-26th June marked Refugee Week. Many events took place over the course of the week to celebrate refugees in Birmingham, such as the Celebratin...
Depressing times. And a depressing novel. But there is no way this is a depressing show as Robert Icke and Duncan Macmillan collaborated to create an electric production that hurtles through its 101 minute running time. This is Orwell on speed.
In September this year we are set to open a new studio theatre at Greenwich Theatre, and for the opening production we have chosen to develop Cassiah Joski-Jethi's Under My Thumb, a play first written as a 30 minute short piece and shortlisted for this year's inaugural RED Women's Theatre Awards.
Before seeing any performance, I quite like the idea of not knowing a great deal about the story or production beforehand. Even if I had re...
It feels strange writing an article about the play I saw in Liverpool recently - a play about the First World War - because the news is filled with so many shocking killings: the shooting of 49 young people in a nightclub in Orlando, Florida; the vicious murder of Jo Cox, a young Labour MP in Yorkshire.
The most surprising thing about Edward Snowden's revelations was how unsurprised we all were by them. The dystopian visions of our most paranoid friends had been confirmed and we all kind of shrugged and added a capital letter to our password which we later changed back to lower case because it was too difficult to remember.
A few weeks ago, after a stressful day at work in the city I came home to find Ed stretched happily across the sofa like a contented cat who'd got the cream. He told me he'd realised that in London you can do literally anything you want. And I guess that, funds allowing, that's pretty much true.
We're working on the most difficult scene in FABRIC; the rape of Leah and even though I wrote it it's still hard to watch, to hear the words, see the ugly violence happening.
Originally from the Jordanian city of Madaba, the Sawalha family includes actors like Nabil (Lara's father), Nadim (Lara's uncle), Juila and Nadia Sawalha.
The philosopher George Simmel once wrote in praise of the 'stranger', describing how the stranger is both 'near' and 'far away' at the same time. My relationship to those Malvinas veterans could not be better described.
. I have always felt that good theatre shows you a life you might never know while holding a mirror to your own experience. I want to leave a product...
This was a special production, too, in that the parts of Shakespeare's 'Mechanicals', the working men of Athens who stage the play-within-a-play at Theseus and Hippolyta's wedding feast, were played by actors from local amateur dramatic groups in each region visited by the tour, and the parts of fairy attendants being played by local schoolchildren.
Lola Arias has brought together real British and Argentinian veterans from the Falklands War, and created a piece that not only bears witness to their devastating experiences of a bloody, nasty, and contentious war, but enables us to see healing happen before our very eyes.
Ben, the protagonist of Jesse Eisenberg's play, might feel familiar. He's a rich white dude who wants to be an artist, but actually spends most of his time getting stoned in an apartment bought for him by his dad.
Most of the events are free and each year our aim is going to be to focus on a different theme/ form of writing with the overall aim of annually providing access to and showcasing the best new ideas going on in new writing in the UK.