A chance encounter with a university reject who could sell sand to the peoples of Arabia, known in my industry as 'a promoter', led me incrementally into the world of festival organization. Its been a long trip (sometimes literally), and this opportunity to blog gives me a chance to recall some of the highlights and explain why festivals are less a job, more a crusade...
With the rapid growth in the popularity of psych rock, thanks to bands like The Black Rebel Motorcycle Club and The Black Angels, this years edition of the Austin Psych Fest at the end of April is set up for it's biggest year.
The Dîner des Grands Chefs is in its third year, first they took their knives and expertise to the Château de Versailles, last year it was Gotham Hall in New York. Just 600 places are up for grabs as the former fish market on the banks of the Thames, Old Billingsgate, is transformed into 'theatre of food'.
Something about the music industry gives you the ability to find energy even when you're running on empty. Reminiscing about the night before always makes you realise just how magical some of your experiences can be.
London's City Hall will play host over the next two weeks to a selection of surprising and unexpected views of Russian architectural landscapes. 'Abstraction/Constructivism: British and Russian Responses to the City' documents urban life from both British and Russian perspectives.
Festivals have changed dramatically in this time - when the first T in the Park took place in 1994 the only other UK festivals were Glastonbury, Reading and WOMAD - now there are literally hundreds all over the country and they have gone from just being a place where you watch bands outdoors, to an entire four day experience or a long weekend away.
For most people drinking a cold beer, going to the cinema or playing a sport is how they relax after a hard day at work. However, there are those out ...
I got the chance to speak to Richard about how he uses the internet as a medium for comedy and how it has changed the way people make us laugh.
Hong Kong has always held itself in high esteem as Asia's beating financial and commercial heart, but Clockenflap, a music and arts festival that's managed to stake out its territory on the banks of Victoria harbour overlooking Hong Kong's famous skyline, is rallying against everything corporate and clean-cut in the region.
Rosie's ever whirling and occupied mind was, in many ways, the epicenter of this project. She is clearly a curatorial force when it comes to performance and her attention to detail, to atmosphere and to immersive-ness was truly inspiring.
DJ Yoda, Maximo Park, James and the Inspiral Carpets stopped by for a cuppa. We said we'd close at 10pm each night but things were still swinging at 3am the next morning. Nick Heyward was a revelation - we only knew him from Twitter - and he brought about an amazing singalong that 250 people crammed into a log cabin will never forget.
Since starting to work on the AIM Independent Music Awards a couple of years ago, it hasn't escaped my attention that every time a list of music award nominees is published, a large-scale debate and healthy amount of criticism and cynicism inevitably follows. I suspect this is because of the subjective nature of music; the concept of judging it is arguably flawed.
Last weekend I was thrown into a fresh new hell. I'm in my late 30s. On my way to a music festival in my 20s I would have thought about my three-day-wardrobe for weeks. In my late 30s with three kids to look after, it only occurred to me as I was packing.
Game culture is everywhere - on our phones, in our living rooms, and on our movie screens, though we have yet to see games played out in public, in our cities or on our high streets. There are playgrounds, where children can play on their own, and there are betting shops, where adult players can gamble, but an immersive space where kids and adults can mingle through play?
On the Friday, for those of you who can't wait for your favourite Marvel-inspired rapper's new production then you might enjoy the chance to join DOOM on stage.
Festivals. It's what we do best. A chance for us Brits to display our eccentricity come rain or shine - and we really don't mind rain.