Bafta is known for celebrating excellence at ceremonies such as Sunday's Arqiva British Academy Television Awards, but it also engages in activity to help a diverse range of talented people to develop and grow in their careers.
It was a Paralympics where spectators finally started to focus on ability rather than disability, a request many Paralympians have always made. Come As You Are, which will be released in the UK on 7 June, could not have chosen better timing.
One of the problems with adapting a famous literary work for film is that there is a lot of subtext and nuance to try and capture in a visual super-text medium. This problem is compounded when the director is known for his visual flair rather than his subtlety.
Baz Luhrmann's adaptation of F. Scott Fitzgerald's classic novel The Great Gatsby is like a fast-spinning glitterball of excess on the cinema screen.
If a film ultimately about emptiness leaves you 142 lavish minutes later feeling thoroughly depleted, does that mean it's a brilliant film? Discuss.
We're currently in the throes of a Great-Gatsby mania; beaded flapper dresses, tipped blazers and straw boaters are suddenly the height of fashion and Gatsby-themed, well, anything - charity galas, cocktails, pop-up speakeasies, even hotel suites.
The Great Gatsby is stunning, but it's meaningfully, provocatively stunning. This isn't just awesome spectacle for spectacle's sake. Luhrmann uses sensory overload in a similar way to Harmony Korine in Springbreakers - to disorientate the audience and send them reeling into a hallucinogenic whirl.
I think we can all agree that the last thing the film world needs as another tale of mopey, bloodsucking teenagers, but Neil Jordan's latest vampirical tale, Byzantium, is clearly doing everything it can to distance itself from the world of Stephanie Meyer.
I went in expecting to be underwhelmed, given that the reviews hadn't been glowing, but instead left furious at one of its main plot threads. To explain why, I think it best to reverse the flip gender of the characters involved, and go into some detail about the plot. (So beware spoilers.)
There's no denying that Epic looks stunning; with beautiful, lush, green landscapes; a multitude of well-rendered animals and insects; and an impressively immersive world comparable to that of Avatar. But, like James Cameron's 3D game changer, Epic relies too heavily on aesthetics and not nearly enough on character.
After superbly rebooting the franchise with Star Trek in 2009, J.J. Abrams returns to direct what will probably be his probably final Trek film before crossing over to a galaxy far, far away.
With UKIP joy, Tory jitters and immigration at the fore I revisited writer-director Philippe Lioret's Welcome, a compassionate and inspiring drama of the power of love and hope in new beginnings.
Brad Pitt could soon hold the ignominy of presiding over the biggest flop in film history. World War Z, which originally had a budget of $170million, but has now ballooned to a reported $400million. That is a huge $100million more than Pirates of The Caribbean: At World's End, which is currently the most expensive film ever made.
Osborne didn't need to genuflect towards the House of Mouse, because the UK has a well-deserved reputation as the home of high quality cinema and moviemaking. But for how long? Osborne is at the top of a government that has slashed arts funding to the bone, axed the UK Film Council and is generally doing a great deal of damage in the cultural arena.
This is the story of three film-makers who go out in search of the Bigfoot due to a recent alleged sighting. This is meant to take place in Siskiyou County, California. These three young individuals are similar to those characters in the Blair Witch Project (BWP) in that they are of low intelligence and act irrationally - perhaps I think this because I'm British.
'Mine: Story of a Sacred Mountain', a documentary produced by Survival International, is a record of the multi-billion pounds FTSE 100-listed British ...