John Maclean's feature length directorial debut Slow West is an imaginative, original trail of blood and black humour with breathtaking imagery and terrific performances
Some have accused Seagal of faking the scene. I actually think it's genuine. If you were going to fake a fight, you would at least make it look exciting. As it was, there was a grim, detached look on Seagal's face as he worked his way through the hired toughs.
Jurassic World is a film about films. More specifically, it is a film about film sequels, and the expectations an audience has of film sequels. It plays on these expectations subtly, and, I think, rather brilliantly. Let me explain.
We've had comedy Westerns (Blazing Saddles), Black Westerns (Posse, Django) and gay Westerns (Brokeback Mountain) - and just when you think there's no...
A festival of documentaries is an alternative to mainstream media: any world documentary production goes through a process of being topically safe, legally vetted, format censored, content edited, politically correct abiding and fancy entertainment creative before they get mass distribution or shown at all.
Films at 12A can contain a wide variety of issues, which in turn reflects what many child experts, parents and the media say about children at the pre-teen age; their interests, personalities, likes and dislikes; are extremely varied at this point on the way to adulthood.
The film brings a story with a potential fallout into stereotypical politics and subliminal NGOs slogans but it maintains the focus on human nature, behavioural character formation and education: if there is will, there is power.
The tale of a grieving husband concerned about his wife is one of the plot threads woven into the fabric of the screenplay. However, the heart of it involves the relationship between Holmes, young Roger and his wary housekeeper mother.
Swooning over Christian Grey, Poldark and even Chris Pratt may seem harmless on the surface, but it has the potential to increase body image pressure on men, so why on earth would we want to make objectification the norm?
This week sees the twentieth anniversary of the release of the Disney classic, Pocahontas. The world has changed considerably in those two decades, but the underlying issues and problems with the film remain very contemporary.
Ok. Own up. Who is it? Which of you is it that keeps buying tickets to watch films in 3D? There must be some of you out there that have been to see more than one movie with the added dimension, because the cinemas keep putting them on and studios keep making them.
To paraphrase the BBFC: 'Moderate threat, occasional bloody moments, action violence... and some really stupid characters.'
I just love what Secret Cinema does; it makes you feel special. From the second you arrive, disguised, and in-character (you're assigned a unique ID) you're made to feel like part of the film.
It has been said by many actors that screen longevity has more to do with charm than talent, and if my brief encounter with Lee was anything to go by he had it in spades.
Just five days after its Kickstarter launch his first project, a short film called ANNA, has raised more than half the funds needed for production
The truth is, Pacino can't really hold a note, but it scarcely matters. He's as mesmerising now as when he made his screen debut more than 40 years ago. And while in many of his films he shone brighter than many of the cast, here there is a level playing field thanks to the presence of Plummer and the ever brilliant Annette Bening.