If you never know what you are going to get from Woody Allen, a director who writes notes on an old typewriter which do not always translate into great movies, the same could be said for the Cannes Festival's opening films. Sometimes you just have to look away towards the bigger fish of the competition and hope like hell.
'Our Kind of Traitor', Susanna White's adaptation of the John Le Carre novel is an accomplished but predictable thriller...
Women make up around 50% of the film student population so women do want to make movies, however the release of the Calling The Shots report tells us that somewhere along the line we're getting shafted.
Andrew Steggall's new film Departure (from May 20th) focuses on a middle class family breakup.
Did you know that the saying actually dates back to pre-Twitter times of 1979, and that late prime minister Margaret Thatcher is to thank for the tradition? Well, she sort of is. When she was elected on May 4, 1979, a headline in the London Evening News read, "May The Fourth Be With You, Maggie. Congratulations."
When I first started acting, I knew it was what I wanted to do and I feel very fortunate to have made a career of it. I know how rewarding it can be to do a job you love, but I also know that for many young people starting out in this tough economic climate it can be difficult to get a foot in the door of a career they want. There are thousands of young people out there who are struggling to find their way, facing all kinds of challenges - from physical or mental health problems to a childhood spent in care. Without the right support they can feel isolated and overwhelmed by their circumstances, making it very difficult for them to get where they want to be in life.
Copyright is what underpins the UK's creative industry and the future career opportunities available to young British talent, so bringing this understanding into the classroom is imperative.
'Son of Saul,' Laszo Nemes' debut feature and winner of the 2015 Grand Prix at Cannes is stunning with a mesmerising performance from Geza Rohrig...
Why are there still no out (and proud) Hollywood A-listers? Yes, I know Jodie Foster came out during her Golden Globes speech. While admirable and brave, it didn't exactly coincide with the pinnacle of her on-screen career. Likewise, 'Star Trek' star Zachary Quinto, but neither he nor Jodie could greenlight a movie on their name alone.
Things were hard in the Eighties when it came to being openly gay and even pop stars - and most celebrities in the entertainment world - were forced to live a lie for fear of public opprobrium. Freddie Mercury strutted his stuff at Live Aid in a singlet, Tom of Finland moustache and tight trousers, and still the general public didn't guess he was gay.
The set-up of a movie is crucial and in Bastille Day's opening scenes we see a naked young woman attracting tourists' attention on the steps of Montma...
'Bastille Day' hangs it's hat on action sequences and clings to the Bourne-Bond coat tails - Joachim Trier's English language debut 'Louder Than Bombs...
Yes Admiral, it is indeed a trap, and you are officially five minutes behind every member of your crew. But that's partly what's so endearing: the archetypical befuddlement, and of course the delivery. Erik nailed it.
Over the next fortnight, HuffPostUK Entertainment is going LOUD & PROUD, where we'll be celebrating how gay culture has influenced and, in turn, been embraced by all fields of entertainment, inspiring cinema-goers, TV audiences, music-lovers and wider society with its wit, creativity and power of expression.
Sadly Jon Favreau's new, live action version of Disney's take on The Jungle Book is a massive let down. I spent half the film trying to stay awake and the rest of the movie trying to make out what was going on.
Katherine Round's film explores a key issue of the modern age, the ever growing gap between the "have's" and "have not's", our obsession with wealth and the growing feeling that capitalism isn't working. It is shot beautifully, and this cinematography embraces and cuddles you as you follow the lives of people on both sides of the wealth divide.