On top of malware, these rogue sites are rife with credit card cons. Two in three of the 30 analysed are guilty of that trick, and more than three in four people who admit to visiting pirate film and TV sites say they've fallen victim to these sorts of scams at some point.
This year's big news from the British film industry is now out. One of Britain's most popular TV comedies, Dad's Army, is to be revived on the big screen, in a home-grown production starring major box-office stars Bill Nighy and Toby Jones.
Is it me or does every film nowadays seem to be based on a book? For the last few years the most acclaimed films seem to be a conveyor belt of adaptations. Crossover between the book and film world is an old story of course but has the extent of adaptations actually been intensified during the last few years?
Half way through a retrospective of Chantal Akerman's films. Surely surprise and innovation are exhausted. Seeing Les anneés 80 proves otherwise. This film is rare: it is not available on DVD, and the only print with English subtitles is on its last legs.
These themes - of identity and visibility, of posterity, of exposure and disclosure - all hover in the background of an exhibition called 'What Will They See of Me?' which I curated, and which is currently at Jerwood Visual Arts in London.
Word of Fincher directing Gone Girl was doing the rounds since January of last year, but it was confirmed only when Ben Affleck was officially chosen in July for the lead role of Nick Dunne.
Starting with endless flat dialogue full of nonsensical techno-babble, the film skips to the Transcendence in double-quick time. There's little time to flesh out the characters and the urgency is placed on humanities fear of new technologies.
For the most part, The Amazing Spider-man 2 is exactly what you expect: likeable teenager Peter Parker (Andrew Garfield) continues to fight crime, while romancing gorgeous girlfriend Gwen Stacey (Emma Stone).
It doesn't sound much of a plot but 'Locke' is amazing buzzing cinema. Shot in eight days on a limited budget it shows what can be done with an original and imaginative idea, a tight script and the nerve to go for it.
Does TV and film influence us more than we realise? Probably. Are our brains being shaped by the violence, sex and nastiness we see on a daily basis? Most possibly. Is there a way we can stand up and shout when we see positive, surprising, heartwarming stuff on the screen as an antidote to all of the above? Yes, there is! Read on, and prepare to join in from the comfort of your favourite armchair.
Veteran Hollywood actor Bruce Dern discusses his Oscar-nominated performance in Alexander Payne's melancholy road movie, Nebraska
Auditions aren't my favourite part of the film business. There's a built-in imbalance to the process, and it's easy for either side to lose sight of what the experience is like for the other party in the room.
Whatever your faith, Noah deserves a look on the big screen. It's a tribute to a gifted director whose next project should be heaven sent, whatever it may be.
Put simply The Raid 2 involves the simple formula of bloke A hits bloke B for 2.5 hrs, alternating bloke B every 10 minutes.
'The Lunchbox', a Mumbai fable that's wonderful and 'Calvary', profound and compelling with Brendan Gleeson giving a performance to behold. Two gems in one week.
Beyond the fantasy child, the everywhere child, and the policed image of children, we are living in a golden age of films about children, and haven't quite noticed. Movie directors in Iran, Japan, the UK, Holland and elsewhere are releasing masterpieces about childhood. Why is this golden age happening, and why does it matter?