I went in wanting her to win me over. She didn't win me over. She had me hook, line and f**king sinker. From the very first note. (This is coming from someone who couldn't even stomach sitting through a whole Adele single, let alone an album, just shut your whining was always the first thing that came to mind!)
HIV shouldn't have the stigma that it has. Visiting Body and Soul has made me proud that I'm involved with Sport Relief. I'm incredibly grateful that I can help. People can live with it and be incredible. It's definitely opened my eyes that much wider and opened my mind that much further.
This month hasn't just been one day of International Women's Day activity; there have been events every single day. In the same way that October in th...
Ellie also threw in some of the bigger, older tracks such as 'Goodness Gracious' and her Calvin Harris collaborations which made everybody throw their hands in the air and bend their knees accordingly.
What the Beatles were before George Martin was the best group in Liverpool, what they became with him was the greatest popular cultural phenomenon of the 20th Century... Why? Because what George Martin was able to give to three very talented song-writers was the sounds they heard in their imaginations.
I've been wanting to make a video with some of my queer family for a long time and 'Desire' felt like the right time to do it. Every Y&Y video has some similar elements that run through it: magical worlds, symbolism, pretty lights and this time I wanted sex added into that mixture.
Thank god for summer festivals. Thinking about theses potential up-coming music and arts parties keeps me sane throughout the last few weeks of winter with cabin fever. Even if I only make it to one festival annually, it will be just enough to sustain me through to the following year. However I MUST make it to at least one.
James used to hate making videos. Mercury Records, who we were signed to in the 90's, kept us away from the process; an uneasy compromise as we kept them away from our music until the CDs were finished. Videos we just treated as adverts for the singles, and singles were adverts for the albums. So our 90s videos are very hit and miss, mainly miss.
An alternative rock band from York, these four boys have already released a strong self funded album. 12,000 likes on Facebook and over 200,000 plays on spotify, they clearly have something that people want to know about. I managed to grab time with the lead man Matt, in the pub opposite the gig.
I am done with this. I am done. Kesha has received the most cruel of all imagined conclusions, and her courtroom sobs are a warrior cry to all who suffer quietly, swallowing their trauma back down their throats. We can't be what we can't see. When one speaks out, she inadvertently gives permission to the rest of us. Let's speak out. We are stronger together.
The tone of their promotional clip Adventure of a Lifetime shows us in a very bad light and could even lead to undoing all the good work that has been put in place over the last few decades. I can tell you, it's got everyone going bananas in the office.
The songs being created by the young cover everything, from how to deal with rape as a society, to loving yourself enough to know when you should engage in sexual activity with another person.
You'd think this conversation wouldn't need to happen at Smith's level of fame - but media training and Sam Smith are strangers across a crowded room. Not that you can be media-trained for the specific brand of "Did I really just say that?" that Smith does so well.
So how do we decide whether to stay in or not? Over the coming weeks there will be arguments for both sides. We have to separate the facts from the guff and make an informed choice based on our future within the organisation rather than our questionable past.
There's a plethora of non-white talent in the UK that hasn't been viewed by the BRITs let alone the general public. If the awards focused on record quality, rather than record sales then acts like Boy Better Know, FKA Twigs and Kwabs would have received a gong by now.
Isn't it time then to think about what composers really need to realise their potential? And, in spite of the wider financial challenges they face, could those who work with composers help by exploring how they might adapt their processes and understanding of what it takes to write a new piece of music?