Perhaps it was being put deep under by the anaesthesia, for I am told it really is a little like dying. Well the closest one comes to dying without actually... dying; when you are sedated enough for them to cut into you. Maybe it was that which dropped me deep into myself, enough to touch the stuff that really mattered. The debris hidden behind decades of conditioning shot to the top.
What I will sometimes do is explain that a lot of the work that is being published as YA now would've been published as coming-of-age adult literature twenty years ago, when the YA category didn't really exist as it does now. If J.D. Salinger's Catcher in the Rye were published today, it would be solidly YA. That seems to make them feel better.
How often do young lesbian, gay, bisexual, transgender, or otherwise queer children or young adults see positive reflections of themselves and their lives in literature, in the media, on TV, or in films? When will they be featured in a documentary? When will they learn that they too are productive, welcomed, supported members of society who have bright futures ahead of them?
The prolific writer behind Bzrk, the Animorphs saga and most importantly (for me anyway) the GONE series has finally put the last full stop on the sixth and concluding instalment of the latter, called Light, which was published last month.
Lauren Oliver is the best-selling author of Before I Fall and the Delirium trilogy. The final book in the latter series - Requiem - has just been released. It wraps up the story of Lena, a plucky young woman who lives in a future America where love is classified as an illness and young people are "cured" of the disease.
Having been interviewed on the authorship of a book about a teenage boy, I notice no-one fails to ask why I wrote from a male perspective. I usually mention that much of the world's cultural output reinforces the male voice - a recent survey of British television found that two thirds of the characters in fictional works were male.