Catching the Comet's Tail features author Rosie Fiore. Her second novel, Wonder Women, is a brilliantly observed, multi-layered story about three women at a crossroads in their lives. Through her engaging, realistic cast of characters, Fiore tackles important issues such as motherhood, marriage, female friendship and ambition.
One only needs to look around the world at the terrible situation for many girls and women to realise that feminism is still necessary and vital. But even once females have better living conditions and more rights, feminism still has a role to play as women try to shape careers. Several recent news stories have made it clear that women are way behind when it comes to careers in the arts.
There are a plethora of lists citing the most innovative companies in the world published by some notable names in media. It does not matter that all differ in their membership; the debate of who is in and shouldn't be and who is missing but should be in is not important. What is important is that there are common principles of innovation to learn from and that can be drawn from the companies that are expertly surfing ahead on the wave of creativity.
The first rule of Art Club is that there are no real rules - you can make or create whatever you can - the only limit is imagination. No one is required to produce anything particular - last time I asked them to make a specific thing I got told by one seven year old that 'this is art club not school'.
All of this hype and the dynamic nature of the media industry means that it attracts thousands of creative minds each year. In fact, the UK's creative industries are a real success story; they employ around 1.5million people and according to the official stats, generate £70,000 every minute for the UK economy.
To young artists first picking up their pencils and paintbrushes, the idea of creating can seem so daunting. For every ounce of enthusiasm you carry, there creeps a shadow of uncertainty - and with so many masters before you, gazing down from hallowed museum walls, you may be tempted to not bother, to quit before you start!
Breuer-Weil's pessimistic take on the Suburb, and the world beyond, looms large in many of his gargantuan works, and will strike a chord with anyone disturbed by the precarious nature of modern life and the self-centred attitudes of those at the helm of both national and supra-national institutions.