Munro has some limitations as a writer and there is repetition in her subject matter and use of the story form. Those who overstate her 'greatness' may have done her no favours, if such rhetoric detracts from her very real qualities. Munro's work is original and much more subtle than either Wu or Lorentzen allow.
The real issue is that publishers make some terrible assumptions about what men and women like to read (or ought to read). In an attempt to capitalise on the dwindling 'mass market' they have carved the reading population up by demographic and crudely assumed that each 'segment' is a homogenous group with similar tastes.
Whether you're writing an essay, editing a novel, or just cleaning the flat, procrastination is always sure to rear its ugly head. Procrastination occupies the middle ground between work and play, but doesn't really count as either. Like watching an Adam Sandler film, you've got to work hard to pretend you enjoy procrastination.
Fortunately, little by little, comics are creeping into national consciousness. It's accepted that the comic format can and regularly does have the same depth as a prose novel. Though tensions are still high in places, the graphic novel at least is broadly accepted as an equal citizen in the literary world.
If the name David Frum is at all familiar to British ears, it is generally closely accompanied by "the man who coined the phrase 'Axis of Evil'". This may be enough for some readers to dismiss anything he has to say as the work of a crypto-fascist, imperialist running dog, but they do so at their peril.
Why did you write a novel about her? About Myra Hindley, a woman who killed children? It's the question I'm most frequently asked about my novel, Myra, Beyond Saddleworth, and is both hard and easy to answer. The material was dark and disturbing, and many people can't understand why a writer would persevere with it. But that's the point. Unless we look, really look at the terrible things human beings do to each other, we have no chance of understanding how and why they happen.