When should children be allowed onto Facebook? The site says it only accepts users over the age of 13. New research published this week by Internet security giant McAfee and the Anti-Bullying Alliance says that most children use the Internet away from their parents' watchful eyes (which I can quite understand).
Without really noticing we've been heading towards the end of the traditional outdoors childhood. Something that many millions of adults took for granted is becoming the exception rather than the norm for today's children, where-ever they live. Roaming ranges are down, physical activity is down and the ability of children to identify common wildlife is being lost.
Nicholas Hytner's Othello was so good I saw it twice. It's not the first time Sir Nick has wowed the critics. And I somehow doubt it will be the last. I perch comfortably outside his office, staring at black-and-white action shots of hit after hit: Adrian Lester in Henry V, Simon Russell Beale in Much Ado About Nothing, James Corden in One Man, Two Guv'nors. If there's such thing as a grammar of theatre, Hytner is fluent in it.
During Climate Week (March 4-10) I am putting this theory to the test with a Fun and Games to Save the Planet event at the London Science Museum on March 6 and we are inviting people from all walks of life to come and 'have a go'.
Making nature part of children's everyday experience is a simple and effective way of plugging them into the world around them. Children are naturally inquisitive and love to explore; it's about getting them hooked and excited about the simple things. It could be about watching ants marching to their nests, snails clinging to a wall or birds singing in a tree.
Game culture is everywhere - on our phones, in our living rooms, and on our movie screens, though we have yet to see games played out in public, in our cities or on our high streets. There are playgrounds, where children can play on their own, and there are betting shops, where adult players can gamble, but an immersive space where kids and adults can mingle through play?
I have this terrible habit of booking tickets to plays that sound interesting then months later, moments before curtain up, I realise I haven't got a clue what the plot is and wonder if I'm going to be sat for three hours in the dark, literally and metaphorically. I had a bad Beckett experience once.
Picture the scene, it's a Tuesday evening at the Novello Theatre just off the Strand and I am sat between Ronnie Corbett and Andrew Scott (Moriarty from Sherlock). Dotted around us are the American from Downton, a man from War Horse, Patricia Routledge and Olivia Coleman. It could not have turned out better.
Although I am reliably told it is a 'classic', before I saw the new West End revival, the only things I knew about Sweeney Todd were the two words 'Sweeney' and 'Todd'. I was the proverbial blank canvas going into the performance - I didn't know what to expect, what the story was, what the music was like: nothing.
Mike Leigh's Abigail's Party is an iconic play which has a home in the hearts of many thanks to it's 1977 Hampstead Theatre production and subsequent BBC airing. If you knew it then, you'll still love it now, but what for a young whippersnapper like me, who wasn't even alive when the play landed on the scene?