LSO/Pappano; Through the Looking Screen; Early Opera Company/Wigmore Hall - review
Paul Guest
|
Posted 13.03.2012
|
Home
Read More:
Christian Curnyn,
Elizabeth Challenger,
The Wilmington Arms,
Anne Chmelewsky,
Hilary Summers,
UK Culture,
Barbican Hall,
Classical,
Opera,
EDWARD ELGAR,
Through the Looking Screen,
Wigmore Hall,
Thomas Ades,
William Walton,
London Symphony Orchestra,
Clare Preland,
Early Opera Company,
Ed Lyon,
Power Her Face,
Sir Antonio Pappano,
Claire Booth,
Charpentier,
Home News
Ades' Dances from his 2003 opera 'Powder her Face' explored the LSO's versatility. Pappano wonderful accented every phrase he could with his full-bodied gestures guiding the well responsive orchestra through syncopated rhythms and heavy jazz.
