If we study the Gatsby phenomenon in detail, we would realise that every society has its Jay. But the factors that produce a Gatsby can be amazingly different. For instance, in the case of India it was not war, but economic reforms which gave birth to this culture. Here I shall discuss the strange case of three Indian tycoons who had shades of Jay, and like him met violent deaths.
The Great Gatsby is currently available in the UK in at least seven different editions, is about to appear in its sixth film adaptation, has been adapted on innumerable occasions for radio and theatre, even succeeding without adaptation as an eight-hour theatre reading, and has also been performed as a ballet, an opera and an orchestral suite.
Adaptations are the mac 'n' cheese of modern Hollywood. The marketing executive dangles a shiny bestseller before the film consumer like a matador's capote; powerless to resist its allure, he dives for knowing it's probably a mirage of brilliance - and that he won't even get to gore the guy behind it.