Carleen Anderson

Think of Sly and the Family Stone, Dexys Midnight Runners and The Specials. Then think again, because the clue's in the name. Their sound is a fine blend of all that has come to pass, from the blues and early R'n'B, all the way up through to soul and ska and the new wave, so theirs is a solid musical grounding.
In the late 1980s British jazz boom, classically-trained pianist Rebello made his mark, finding himself in the company of players such as Steve Williamson and Courtney Pine. They and their cohorts redrew the benchmarks of jazz excellence with a virtuosity that silenced lesser players daring to call themselves jazz musicians.
A snowy Saturday night in New Cross found Jason Holmes enjoying a post-gig chat with Simon Bartholomew of the Brand New Heavies
It has been 22 years since the release of the landmark album Road To Freedom. Jason Holmes speaks to Femi Williams (aka Femi Fem), one third of The Young Disciples, about how the record came into existence.
Petite and lithe, Carleen Anderson took the stage in a black gown and launched into a 90-minute set of jazz and gospel at the legendary London jazz club, and such was her vocal power, that in an instant we all forgot the ephemera of the day just gone.