The tinkle of laughter through a canvas tent. The simple delight of hearing a story read aloud. The thrill of spotting your
Spring's here and the self-publishing sap is surging with three unmissable events...
With the greatest of respect, TV fiction is like other fiction types. It is escapism. It suspends the boundaries of reality. That is, after all the only possible reason the writers on Eastenders get away with entire families living in large houses in London, whilst earning no money for themselves.
It's been a year of gratifying highs and occasional lows. But what the past year has mostly consisted of is surprises: unexpected lessons on what life as a published author is really like. So I thought I'd share a few of them.
"An absurd and uninteresting fantasy which was rubbish and dull," said one of the twenty publishers to knock back Lord of the Flies, which later sold more than 150 million copies.
Emma Healey has had a roller coaster six months: her debut novel Elizabeth Is Missing, which sold for a six-figure advance, was published last summer to critical acclaim. And last week the twenty-nine year old writer won the Costa First Novel award and is now up against the likes of Ali Smith and Kate Saunders for the Costa Book of the Year Prize.
But what is it that makes debut fiction so irresistible? For some it's the excitement of discovering new voices. For others it's the possibility of following a writer though a long career from the very beginning.
A good editor is essential to the success of any book. So this week I interviewed Sarah Vincent, author and editor of ten years with Cornerstones, one of the UK's leading Literary Consultancies.
Marketing your self-published book is a long game and there are all sorts of ways to keep up the interest, including blogging, podcast interviews, videos, signings and entering it into competitions. Giveaways are another great route to get your book out there and top of the giveaway options is Goodreads.