If we take a quick look at this year's Golden Globe Award winners, the notion of a high-profile award winning film made for the mobile-first generation isn't as far-fetched as perhaps it first seems.
We have a flourishing independent film scene. Micro-budget projects being built from the ground up, mostly through crowdfunding. And we have the huge superhero movies, but the in-betweens, the films that people really care about, have vanished.
What's needed isn't bestselling feminism, or even radical feminism, but an ethical humanism more radical than feminism. A movement that actually demands change of the existing cultures and tries to get every human to act towards it, rather than the sort of change that inspires people to buy a different brand of beauty product.
This may come as a surprise to you, but did you know that there is an almost secretive, physical effects company hidden behind a bleak, cheeky corner near Perivale tube station in North West London? I recently went there to speak to the CEO and SFX (Special Effects) Supervisor, Mike Kelt, to see what the place is all about...
Imagine a friend giving you a present. It's a free Metro newspaper he got on the bus. You could as well have picked one up yourself. Now, another friend gives you a special magazine she thought you'd really like. You will appreciate its value which lies in a combination of quality content and the fact that she actually bought it for you... We hope to attract enough participants to get our experiment to a self-sustainable level, but we're not quite there yet.
Signature Pictures is a London-based film production enterprise. Their #FutureFilm initiative suggested it was a good idea to offer Workfare volunteers roles on a short film. This way, the company would benefit from interns - the way nearly every production does anyway - and would produce a film that would give NEETs meaningful and constructive professional experience.
If enough people take up the challenge, we might collectively achieve some "crowd-research" which might be useful to those who research the influence of depictions of guns and gun violence. Either way, it might stimulate much-needed debate about the casual normalisation of violence in our society.Whilst we hear much debate about whether gun violence in films or computer games can propel young men or boys (for they are almost always male) to commit mass murder or violence, we rarely hear about the effect of images on film posters.
People often say that to learn filmmaking you should go to the big film schools and then get a job at one of the big TV or film studios.By working for a series of small companies I learned skills one could never possibly learn anywhere else...
Today the BBFC becomes the new regulator of mobile content, replacing the Independent Mobile Classification Body, which had regulated this content since 2004. From 2 September, the BBFC will provide the UK mobile network operators EE, O2, Three and Vodafone, with a new independent Classification Framework for content accessed via their mobile networks.
I immediately knew I wanted to make a film of 'Lore' but really had no idea how to go about it. Sitting in Glasgow, the prospect of making a period feature, set in Germany, about the subject of Nazism, was daunting.