freelance

So, whether you wear a suit, a uniform, safety gear or your pyjamas, whatever you wear for work our professional appearance goes to show that almost sixty years on, history has a funny way of repeating itself. Your dad may have worn boots that made him look like an extra in a First World War movie, thankfully we don't have to.
Full time employment just wasn't an option for me. Even with a strong work ethic and graduating with a First-Class BA (hons) degree, I knew it would be foolish to apply for an employed role. My health wouldn't have been able to manage it and many work places just wouldn't want an anti-depressant induced employee - despite my credentials.
I've been talking a lot recently, along with everyone else, about the rise of the digital nomad. The ability to earn a living doing what you love while travelling, is such an alluring prospect that it's hardly surprising that so many people are now taking advantage of the opportunities that the combination of modern technologies and freelance working bring.
Working for yourself from home, in charge of your time, no daily commute, answering to no-one, jetting off abroad as often as possible... sounds good doesn't it? But what we don't advertise about freelance life is the amount of work that goes into, well, generating work in the first place.
It's been six months since I became fully freelance. As my own boss, I work from home. That, my friends is altogether a different
Making the transition from a secure full-time job to freelancing is difficult. It can feel like a leap into the unknown and with no concrete evidence that you'll generate enough money, many freelancers will put-off the jump for longer than they actually need to.
I was 16, just finished my last exams and was looking for something new to do. By all means I was classed as a 'normal teenager off to college', but my mental health didn't permit.
Ultimately, there will never be a perfect moment to quit your job. Unless you land a huge freelance contract whilst you're still employed, chances are you're better off looking for a good moment rather than the perfect one. So what are you waiting for?
As we look forward to another brand new year, here's an idea I had while listening to some experts talk about how to get promotions in conventional workplaces. If, as I've suggested in some of these posts, you might think of your freelance or creative work as within the framework of a sort of imaginary office, why not give yourself a promotion every now and then?
We'd all like to get paid more for what we do. But we have a habit of feeling our stuff is impossible to value because we develop an emotional, personal relationship with it. Doing business with our creative outputs can feel like selling off a section of our very soul.