Women have discovered that waiting for the world to do the right thing is not sufficient. That it's not enough to have equal rights and demonstrable proof that gender balance benefits employers. We have found out the hard way that only if you actively intervene do you begin to move towards true equality.
Recently the YA blogosphere, Book-tubers and the section of Twitter especially reserved for that of YA book fanatics have been talking about one thing and one thing only: the YA Book Prize, a prize for UK and Irish YA books set up by the publishers The Bookseller.
Like many people gathered at the St Pancras Hotel last week for the inaugural Folio Prize awards, I was delighted when Lavinia Greenlaw, chair of the Jury, announced George Saunders as the winner.
On Friday 7th March, a new list will enter the cultural domain, a list that will no doubt fuel heated debate and produce many a column inch over the coming weeks.
It looks like bookish feminists are winning the war on the pale, stale and male literary establishment.
With the Goldsmith's Prize we have another literary showpiece and if it can unearth, then shine the spotlight on talented authors like many others do, it will surely be a good thing.
In its many voices, languages and avatars, South Asian literature is beginning to look at its own reflection rather than viewing itself in the refracted approval of an imagined Western audience.
This week, Chinese writer Mo Yan won the Nobel Prize for literature. The reaction of much of the world was: "Who?"
Last night Christopher Hitchens was memorialised with a special award by the Orwell Prize committee. The author, speaker
Other than a fairly crucial commitment to brevity, what is it that makes a short story a short story? As the 2012 edition of the world's richest prize for the form comes to a conclusion, I spoke with this year's shortlist to get their own insights into the art and craft of writing short fiction.