London Symphony Orchestra

Gergiev is a great conductor but he colludes with an expansionist tyrant. He seems to have little respect for freedom and equality. He is not fit to conduct the LSO.
The lure of the filthy lucre is strong in the upper echelons of the classical music industry. Dangled before genius, the contract that promises to make musicians rich can unmoor and pollute. But only if caution is not exercised. Money, in this respect, can be poisonous, and Nicola Benedetti agrees...
Ades' Dances from his 2003 opera 'Powder her Face' explored the LSO's versatility. Pappano wonderful accented every phrase he could with his full-bodied gestures guiding the well responsive orchestra through syncopated rhythms and heavy jazz.
As 2012 looms, the questions are still being asked: will it be a triumph or a tragedy, a uniquely exciting moment or a great missed opportunity? Will the Olympics drain away much-needed arts funding, or enhance the standing of UK culture around the world?