2015 is a good year for women artists at the Tate Modern with Agnes Martin opening this week, hot on the heels of Marlene Dumas and Sonia Delaunay.
Marlene was born in South Africa at a time of apartheid and censorship, where simply a picture of Nelson Mandela was considered to be so dangerous that it was banned. This deep and profound relationship between banning an image and infusing it with power and meaning must have made an impact on Marlene as it has shaped her work.
It was a great year for art shows in the capital but, frustratingly, the big exhibitions were dominated by white male artists. So it is with great delight that the calendar for 2015 sees this challenged in a big way. Here is my list of those art exhibitions in London to put in your diary for 2015.
The problem with Emin's statements is that they propagate damaging myths: about what it is to be an artist, a mother, a woman. And as Virginia Woolf tells us, it far harder to kill a phantom than a reality. It's like looking for nits, or searching for proof for jealousy: resolution can only be reached by discovering what we don't want to be true and in the absence of that we are condemned to continue the search.