paul clayton

I'm not sure how often this bitter old Berkoff actually engages with young actors. I'm not sure how many he works with, (Imagine having to spend a day on set with this old bore) but I'm pretty sure he hasn't had anything to do with any of the graduates I've had the pleasure of working with over the last few years.
We need to make more theatre more accessible to more people so that they can understand the experience more easily. If we are going to do this, then surely the heartland of what is termed commercial theatre is not the place to start?
For many it's been a struggle to get there. Young actors emerge from their training weighed down by debt, and - given that less than 2% of actors earn over £20,000 a year from their acting - many leave the profession in the first 5 to 10 years, to seek financial security, dignity, and some quality of life.