There was a lot going on in Sunday night’s ‘Sherlock’ series finale, so we’ll forgive you if you missed Paul Weller’s surprise
Tim Arnold, singer songwriter and founder of Save Soho Music venues: what exactly is the fuss all about? Well, almost 2 years
The Court of Appeal has confirmed the previous ruling was the correct one. There was no public interest in the photos and just because the children's father is well-known, that doesn't mean the children lose any rights of privacy.
In my latest peek behind the public veil of celebrity life, I've drawn 'the Modfather' Paul Weller engaging in a kitchen
Live concert footage runs on loop, music blaring out across rooms filled with some of the band's jackets, vintage concert fly posters and an impressive display of the band's guitars (a particularly touching one being Paul's fireglow Rickenbacker 330 with 'I Am Nobody' scratched into it).
Mod was very often routed in class. Working class young men who wanted to look super smart when they went out at the weekend and would save for months to buy the right clothes. Add into the mix a carefully selected mix of music, a penchant for drugs to keep them dancing all night and the desire to prove they were not defined by a dreary office job - and you have a template that can be repeated whatever the year.
Master drummer Steve White (The Style Council and Paul Weller), bassist Damon Minchella (Ocean Colour Scene), and singer-songwriter/guitarist Matt Deighton (Mother Earth, Paul Weller and Oasis) have coalesced as The Family Silver, drawn almost inexorably to each other after all these years. And with a novel plan.
A few years ago a friend of Nolan, a guy he has known since he was 18, gave him the heads up concerning his burgeoning cult status in the UK: "He said 'Nolan, they're playing some of your tunes at these things called all-nighters. You've got to check this out.'"
It's modernism in its purist form and the distilled vision of Mark Powell, a stylist and tailor whose sartorial individualism of thirty years standing has made itself known in places as far flung as New York City, Tokyo and Firenze.
The privacy of the Duchess of Cambridge is worth its weight in lead. Not gold, but lead. Her mother-in-law, Her Majesty Queen
While informed by the likes of Bacharach, Bolan and The Animals - as heard on The Moons' Jan 'Stan' Kybert-produced album Fables Of History (2012) - Crofts has taken a pop classicism and updated it without having mired himself in the black hole of revivalism.
Merrymouth's follow-up LP, Wenlock Hill, will be released on 5 May with Simon singing and writing, backed up by Dan Sealey of Ocean Colour Scene, Adam Barry and a host of distinguished collaborators.
Paul Weller cuts a lithe figure in a black crew neck sweater and dove grey slacks that ride a couple of inches off the ground. His round-toed calfskin Chelsea boots gleam under the lights. A flashgun snaps at his every move as his gimlet eye rakes the clothes rack that lines the far wall of the West End showroom.
With eclectic tastes that include folk, soul and funk and everything in between, they're a dynamic band whose forthcoming single Forever More is produced by Richard Hawley, while their debut single For You was produced by Bill Ryder-Jones.
We're lost in the crowd in the neon-soaked hotel bar down the road from the Shepherd's Bush Empire, and Steve Cradock has flown in under the radar, perhaps his parka the only give away of who he is.
It is here in Milan, far north in the Bel Paese [Italy, the "beautiful country"], that a cultural pragmatism has attracted those of a more refined musical streak. And it is at Biko, a club not far from the throng of the city centre, that Trio Valore has convened to play to a Milanese crowd intent on devouring live music as would they their mammas' pasta e fagioli. It's a crowd of stylists who want to dance, and they do.
Nip around the corner from the Elephant & Castle and walk on farther south where the air's a little calmer, and before you know it, you'll have arrived at the Threadneedleman, an unassuming shop caught in the crook of the road's arm.
Longsight M13. It's an area of Manchester immortalised by the Ian Brown song co-written by Aziz Ibrahim. It has taken us 15 minutes to drive here from Manchester's Piccadilly Station where Aziz collected me after the journey up from Euston. ..
The uncontrollable forelock of hair is still there, but time has remade Dr Robert. Today, as the frontman of The Blow Monkeys, he is older, wiser, and when he speaks he's quick to laugh. But when he listens, it's with a quiet focus.
This is Frith Street. Tony Coote sits cocooned is his chair, words flowing between drags on his Camel Light.