Theatre review

The Hard Problem is Tom Stoppard's first new play since 2006's Rock & Roll and therefore this is a much anticipated production at the National Theatre. The Hard Problem in hand is simply, what is consciousness? But the play itself is actually hard going.
Yesterday I headed out to the theatre to see the wonderful Richard Armitage take on the audience at The Old Vic in an atmospheric and ambitious performance of Arthur Miller's 'The Crucible' on a balmy Wednesday afternoon to celebrate my anniversary.
On the face of it, an evening watching a play on the deterioration of a relationship from discontent to abuse might not seem desirable. But when the talent behind it is one of the country's finest up and coming theatre companies, then it most definitely is.
I don't think you could ever witness a better version of Henrik Ibsen's Ghosts than this Richard Eyre-helmed production at the Trafalgar Studios. Genuinely moving but never melodramatic or overwrought, this story of a family trying to escape the ghosts of their past is an exceptional piece of theatre that will resonate long after the curtain falls.
The much anticipated stage version of Let the Right One In is terrifying - but not emotional. There is a lot of excellence in this adaptation of the cult film but, crucially, it lacks heart and soul - somewhat ironically in a story about the undead.
Works by Christopher Marlowe are not performed that often in London theatres. Sadly this chaotic production of Edward II is unlikely to cause audiences to clamour for more.
The National Theatre Shed is the perfect performance space for such a piece, and Ruth Sutcliffe's set looks as though it has quite literally been lifted from this East London Hostel.
This faithful adaptation of Oscar Wilde's most famous novel sees River Hawkins in the title role of Dorian, a devastatingly
The cast, also including Mathew Horne as a range of supporting characters, is very strong. Each actor brings great poise and conviction to their performance, wonderfully dramatizing the internal conflicts within their character.
I didn't once believe that this young woman had the spirit to seduce a general of Othello's calibre either with her innocence or cunning. But then perhaps there's no accounting for taste.