ukfilmreview

Cyber thrillers can fall flat if they slip into the realms of cliche, but thankfully Blackhat gets the cardinal sin out the way early: assorted close up tracking shots of data transfer through chips and microscopic tech landscapes.
It's rare I get to feel like a kid on Christmas morning while watching a movie. More often than not filmmakers have contempt for the audience or signpost everything so far in advance, you feel like an A level student in a kindergarten.
With the recent deaths of Bin Laden, Gadaffi and Kim Jong Il, there is officially nobody left on the planet who doesn't love the Muppets. You'd have to be a soulless idiot not to.
Originally titled The Dead and the Damned, writer-director Rene Perez's Western/horror hybrid was redubbed for its U.K. release, all the better to cash in on Cowboys and Aliens' box office success. While the latter was anything but perfect, it at least knew how to deliver on its premise.
There’s been so much hype ahead of this film’s release, it becomes almost impossible to sit in the cinema seat for the air
Saturday nights are made for movies, but not just any old movies; Saturday nights are made for big hairy exploding movies filled with testosterone and car chases and gun fights and gorgeous, improbably clothed women (and equally gorgeous and improbably clothed men). Saturday night movies should be the equivalent of McDonald's: lacking in substance and a little bit bad for you but delicious nonetheless.
1. The new Muppets movie is going to be awesome - After all, Kermit said so. The legendary frog (as well as director James Bobin, Fozzie and Miss Piggy) all showed up on the big screen for a live link-up with a packed crowd at Indigo2 and introduced a great clip from the upcoming movie featuring Kermit singing.
Andy Serkis is superb as Caesar, the most complex character in the whole film and it is heart-breaking and inspiring to see how his primitive emotions adapt to the life he is forced to endure.
The discussion of 3D is a horse that has been flogged to within an inch of its life over the last few years, with powerful film writers such as Roger Ebert being particularly vocal in their resentment of cinema's latest technological development. But with the vast majority of critics uncharacteristically singing from the same hymn sheet, and audiences beginning to turn their back on inflated ticket prices, what do people on the creative side of the film industry think?
There are many fine film, theatre, TV, games, music, fashion and food critics. Make your own list of the popular arts and take your pick. But do we need some more of those independent-minded souls who stand back a bit from the fray?