young vic theatre

It really pains me to say that, despite the best efforts of the magnificent Rory Kinnear, The Trial at the Young Vic is not one to remember.
Golem is a dazzling visual feast with a biting social commentary that's enough to put a spring in the step of even the most jaded theatre-goer. In a show that fuses performance with animation, film and music, Golem challenges us to confront the lie that we've been sold - that technology will set us free.
It's interesting what you remember and what you forget about a production. The tension, the gut-wrenching tragedy in the piece is as devastating as when I saw it last year. Yet I'd forgotten how good the sound and lighting design are.
A Streetcar Named Desire is Tennessee Williams' finest play and in this deeply affecting production at the Young Vic, Gillian Anderson gives quite probably her finest performance as Blanche DuBois...
The Valley of Astonishment at the Young Vic is a play about synaesthesia. Sounds dry but actually it is warm, engaging, smart and funny.
Considering this is a Samuel Beckett play about a woman trapped waist deep in rubble and rock, the title of Happy Days may be ironic. But in this superb production it is a beautifully poignant reflection on the struggles of the human spirit against almost impossible obstacles.
The six plays were a mixed bag. Most of them were guilty of not having enough conflict in them, or being one-note productions where the tone of the debate between the main characters never varied or turned. And there were too many clichés.
The Island is a wonderful piece of political theatre that moves both the heart and mind. Devised by Athol Fugard, John Kani and Winston Ntshona, the play is based on true stories collected from prisoners of Robben Island, the prison which held Nelson Mandela.
The true story of The Scottsboro Boys is a harrowing and drawn out story of injustice that spanned decades. Yet from it, this truly brilliant, electric musical has been created.
I never saw Viva Forever - the Spice Girls musical. That apparently may have been the worst show ever on a London stage but American Lulu must run it close.