Korean Film has always had a strong following in the UK and this has led to more and more K-Films being picked up by local distributors. Also in 2013 the prestigious Edinburgh International Film Festival chose to include a 'Korea Focus' within its programme, inviting leading actors and directors to take part in events and talks.
You've probably read about this recent slice of cine-scandal in one of your desk-breakfast guilty-pleasure web-mags: Madonna goes to festival screening of hard-hitting slavery flick; Madonna texts during hard-hitting slavery flick; Madonna accuses hard-feeling audience members of being "enslavers"; Madonna is banned from watching movies at major cinema chain ever again.
Tom Hanks walked the carpet confidently to open the BFI London Film Festival. He will also close it with his other movie in the show, Saving Mr. Banks. Hanks bestrides this Festival like a movie superstar colossus.
It is 2009 and an American cargo ship is heading through international waters. Plain sailing? Not quite. This is a ship that will need to steer around the Horn of Africa, a notorious hotspot for knave Somali pirate boats. Based on a true story, director Paul Greengrass ably documents a harrowing hijacking incident of nerve-shredding terror.
Delving once more into the hidden language of cinema, Fiennes and Zizek interpret what the movies reveal about ourselves, and the collective fantasies that shape our beliefs and practices. Fiennes commented: "We are responsible for our dreams. That's the genius of cinema: there's more happening than what you can actually talk about. "
Despite the queues, despite the heavy closed door to Screen six that you can't open because you have your hands full, despite the criminal expense of junk food and the person sitting in front having some kind of afro tribute to Abraham Lincoln's hat, despite everyone's very best efforts to make it impossible - I do enjoy the cinema...