If there were a competition for false advertising, the much-talked-about trailer for the Fifty Shades of Grey movie would walk away with first prize... If we move from the trailer to the book, the sex isn't so much hot as violent and dehumanizing. Christian has a thing for what is generally called sadomasochism in the popular press, but in the book what we see is pure sadism carried out by a sophisticated predator who knows how to groom vulnerable girls. The most likely real-world ending of Fifty Shades of Grey is fifty shades of black and blue.
This girl could have had a husband, a tiara, a baby, a title, a palace, and her own specialised bottom minder by now. She could have been defined by her slimness, her reproductive abilities, and how long she could spend waving to commoners before her arm got tired. Instead, she's free to do whatever the hell she wants with her life.
Together, they've got 27 Grammys, 20 Billboard Music awards, $1 billion in personal wealth, 112 million social media followers, 11 houses, seven fragrances, two world tours and one very cute child. All of their success and the angst about them splitting is based on a very questionable idea: That Shawn 'Jay Z' Carter is a good person. I dispute that.
One thing I really will never recover from is the realization that I am an adult as in a grown up person. I never thought this would happen. I only realized when one day I was called 'ma'am' instead of 'miss'.
Yesterday I headed out to the theatre to see the wonderful Richard Armitage take on the audience at The Old Vic in an atmospheric and ambitious performance of Arthur Miller's 'The Crucible' on a balmy Wednesday afternoon to celebrate my anniversary.
What on earth do I have to be afraid of? 1) Nobody will show up. The average audience size at the Edinburgh Fringe is four. Four people. My venue seats 200. With 196 opportunities to fail, nightly, this season is going to be downright sacred.
The story of a jilted wife, who murders her children as a way of revenge against her soon-to-be ex-husband is always going to be dark but Carrie Cracknell, in this new version of Euripides' work by Ben Power, brings us a genuinely disturbing production.
This is exasperating. In a world where the prevalence of inherent sexism, homophobia and transphobia is rife, why would individuals who actively defy these ills insist on continuing and supporting relationships with alleged predators?
Remember that this is one season of many that you'll perform. There's a lot of lessons you can take from a festival - It could be that this city is not the best market for you. It could be that your show isn't pitched right.
Made on a modest budget on a small set in East Yorkshire, enhanced with the aid of stylish virtual sets, it features a handful of familiar faces from projects such as Waterloo Road and recent Jimmy McGovern drama Common.
At Victoria Park he recognised that not everyone in attendance was a Nas fan and many weren't even born when the album was released. Here he said ''I'm Nas for those that done know me, I'm the one that said hip-hop was dead!
What is it about rock stars that won't make them quit while they're ahead? ... I mean, just think of some of the more hedonistic behaviour - eating bats (Ozzy Osbourne), the shark episode (Led Zepellin), urinating on the Alamo (Osbourne again) - if any of them behaved like that in a nursing home then they'd be dosed up and diagnosed with senile dementia.
A London weekend festival, Lovebox has been described as "an annual love letter to the Capital" and I couldn't agree more. As usual it took part in Victoria Park, delivering its eclectic mix of musical genres. This year's headliners included Hercules and Love Affair, Nas, Maverick Sabre, Banks, MIA and Bonobo.
Of course we could use more money - we had far more applicants to our National portfolio than we could afford to support. Yes, there is more to do in terms of the balance of the Arts Council's investment and yes, progress is slow - but it is purposeful and targeted. Overall investment outside London has actually increased in this National portfolio round.
The film succeeds in rendering a personal face to the so often aggrandised problem of immigration, but is undermined by the disjunctive fictional sub-narrative... the film is a real spectacle and a testament to the stark anthropic disassociation and dissemblance that occurs in migratory investigations.
Her current notoriety is due almost entirely to the producers of the film John Maloof and Charlie Siskel. They are obsessed with digging up her personal history to find out why she never entered the canon of great street photographers sanctioned by the art world establishment.
Last month, I visited Goudoubo camp in Burkina Faso with UNHCR, the UN Refugee Agency. Here I met Malian refugees who fled their country after conflict broke out in the North in early 2012. There are over 34,000 Malian refugees in Burkina Faso - most of whom are from northern Mali.