Together, they've got 27 Grammys, 20 Billboard Music awards, $1 billion in personal wealth, 112 million social media followers, 11 houses, seven fragrances, two world tours and one very cute child. All of their success and the angst about them splitting is based on a very questionable idea: That Shawn 'Jay Z' Carter is a good person. I dispute that.
Coming in to a pre-packaged family is nothing short of a tightrope act but for those that do stick around long enough and apply themselves generously to the 'added extras', the benefits are there waiting, you just have to see them.
One thing I really will never recover from is the realization that I am an adult as in a grown up person. I never thought this would happen. I only realized when one day I was called 'ma'am' instead of 'miss'.
Times are changing. Self-publishing is no longer 'vanity publishing' - a vaguely embarrassing exercise in assuaging one's writerly ambitions by paying large sums of money for a small run of leather-bound copies of a book - but a very real and increasingly credible alternative to mainstream publishing.
Remember that this is one season of many that you'll perform. There's a lot of lessons you can take from a festival - It could be that this city is not the best market for you. It could be that your show isn't pitched right.
This is exasperating. In a world where the prevalence of inherent sexism, homophobia and transphobia is rife, why would individuals who actively defy these ills insist on continuing and supporting relationships with alleged predators?
Made on a modest budget on a small set in East Yorkshire, enhanced with the aid of stylish virtual sets, it features a handful of familiar faces from projects such as Waterloo Road and recent Jimmy McGovern drama Common.
Yesterday I headed out to the theatre to see the wonderful Richard Armitage take on the audience at The Old Vic in an atmospheric and ambitious performance of Arthur Miller's 'The Crucible' on a balmy Wednesday afternoon to celebrate my anniversary.
The story of a jilted wife, who murders her children as a way of revenge against her soon-to-be ex-husband is always going to be dark but Carrie Cracknell, in this new version of Euripides' work by Ben Power, brings us a genuinely disturbing production.
At Victoria Park he recognised that not everyone in attendance was a Nas fan and many weren't even born when the album was released. Here he said ''I'm Nas for those that done know me, I'm the one that said hip-hop was dead!
A London weekend festival, Lovebox has been described as "an annual love letter to the Capital" and I couldn't agree more. As usual it took part in Victoria Park, delivering its eclectic mix of musical genres. This year's headliners included Hercules and Love Affair, Nas, Maverick Sabre, Banks, MIA and Bonobo.
The film succeeds in rendering a personal face to the so often aggrandised problem of immigration, but is undermined by the disjunctive fictional sub-narrative... the film is a real spectacle and a testament to the stark anthropic disassociation and dissemblance that occurs in migratory investigations.
Her current notoriety is due almost entirely to the producers of the film John Maloof and Charlie Siskel. They are obsessed with digging up her personal history to find out why she never entered the canon of great street photographers sanctioned by the art world establishment.
Of course we could use more money - we had far more applicants to our National portfolio than we could afford to support. Yes, there is more to do in terms of the balance of the Arts Council's investment and yes, progress is slow - but it is purposeful and targeted. Overall investment outside London has actually increased in this National portfolio round.
Among the lesser reported aspects of the war on the western front during World War I is the role played by aircraft. Britain manufactured 55,000 planes during the war of which only 10 remain in airworthy condition. Four of these belong to the Shuttleworth Collection in Bedfordshire and have been restored to their original construction.
This is Jonathan Wilkes' first full week on the show and as such it's the first time he's done a tech session with us. I think he's suddenly very grateful to not have to do these normally as they're pretty long and intense. There is much to soundcheck plus two new Little Jakes to rehearse in and the Churchill Theatre proves a slightly odd space sound-wise.
What on earth do I have to be afraid of? 1) Nobody will show up. The average audience size at the Edinburgh Fringe is four. Four people. My venue seats 200. With 196 opportunities to fail, nightly, this season is going to be downright sacred.