Katherine Round's film explores a key issue of the modern age, the ever growing gap between the "have's" and "have not's", our obsession with wealth and the growing feeling that capitalism isn't working. It is shot beautifully, and this cinematography embraces and cuddles you as you follow the lives of people on both sides of the wealth divide.
Standing outside the room my palms were clammy, I had pins and needles in my face and could feel nausea rising from my stomach. I stalled - I couldn't go through the door. All those months in prison flashed through my mind, as well as the moment I threw the punch that changed our lives. Walking in and meeting Joan and David, the parents of 28-year-old James Hodgkinson who I killed with a single punch, was something I needed to do. I knew how important it was for me to tell them how sorry I was face to face.
After watching 'Life after Suicide', part of a BBC 1 series about mental health, I have to say this incredible documentary has changed something inside me irrevocably. Although suicidal ideation is habitual and I try to shield those around me from such dark thoughts, seeing this documentary was very healing and profoundly moving.
What is of most interest to someone like me, who found the image of being an Numan fan so helpful as I learned to love being disabled, is that it charts Gary's diagnosis of Aspergers Syndrome, which obviously influenced his image and attitude through out his career, and his battles with depression and anxiety as he struggled to rebuild his career.
A young boy - a 14-year-old - lay sobbing in his bed. For eight minutes he had been dragged, marched and restrained across the prison. Worse, as we examined the footage of the restraint we saw the fingers of a duty operations manager - one of the most senior floor staff at the prison - close around the windpipe of a 14-year-old, of a child. The boy was crying out "I can't breathe".
Professor Jean Pierre Tourtier, Chief Medic of the Paris Fire Brigade, had never spoken in public about the aftermath of the massacre at Charlie Hebdo. His precise descriptions of what he saw had a barely-suppressed intensity that took me by surprise: "The first thing I remember, even before I entered the Charlie Hebdo office - was the smell. A smell that was a mix of gunpowder and blood - that metallic smell of blood. Then I saw a pile of bodies. And someone at the back of the meeting room said - in a voice that was almost gentle - 'Monsieur, s'il vous plaît, aidez-moi'."
Kate is one of central Middlesbrough's drug addicted, street prostitutes who sells her body for as little as £15. Fellow journalist Jack Gaskarth and I met Kate when out researching one evening. We wanted to find out how and why these woman end up on the streets and explore this via documentary film.
A festival of documentaries is an alternative to mainstream media: any world documentary production goes through a process of being topically safe, legally vetted, format censored, content edited, politically correct abiding and fancy entertainment creative before they get mass distribution or shown at all.
Freedom of speech is a human right, and the foundation upon which democracy is built. Any restriction of freedom of speech is a restriction upon democracy. We must defend democracy using its own mechanisms, through explaining and exemplifying its merits rather than through the heavy-handed and arbitrary silencing of its critics.