What if we stopped taking offense at art just for touching on a particular subject, whether it's a song lyric about Parkinson's, or a rape joke, or whatever else people are mad about this month? What if instead we took offense at all the things that fall short of the creativity and beauty we want to see?
The growing interest in American TV as a substitute for our own is not simply an idiosyncrasy, it signifies of Britain's failure to keep pace with the cultural market. The relative incompetence of home-produced programming becomes apparent in the context of the global marketplace - beyond the iPlayer horizon, Britain is punching well above its weight.
The central character in Punch is the most heinous, twisted, barbarous person I have ever tried writing. He's impervious to any shred of empathy, tact or compassion and yet I agree with (almost) everything he says.
If 2011 was the year that the world became completely besotted by viral videos, then 2012 will be the year where original content hosted by online video sites broke through to challenge the waning dominance of the television media and its network overlords.
As the Fringe drew to a close, The Huffington Post UK invited three professional comedians, all hotly tipped as rising stars of the industry, to sit d...