Half the exhibition comprises works by artists of later generations who, it is suggested, were inspired by Delacroix - artists such as Sargent, Renoir, Degas, Gauguin, Cezanne and Matisse. And when works from these artists are hung alongside Delacroix, well, it's Delacroix who seems to come off worse.
New year: it's the time for re-invention, re-discovery and resolutions. One of our resolutions is always to do more, learn more, see more. What better time than the New Year to take stock, to reflect, and to look forward. This is what we, at London Art Studies, are looking forward to in London in 2016.
There is such talent, such genius in Goya's work that it's hard to know where to begin. His technical excellence is just ridiculous - the skin tone, glimpses of veins in ageing hands, the delicacy of the mantilla lace, the shimmering texture of the satin dresses, the flash of colour from sashes and hat linings, the bold, bare backgrounds...
So today we're focusing on the Royal Mail - what should be the People's Post. But let's also talk about the people's NHS, the people's schools, and yes, even the people's prisons - run with proper accountability, proper pay and conditions for staff, and the quality of services that we need - and could afford to pay for, if we weren't shovelling public money into private hands through privatisation, and allowing multinational corporations and rich individuals to skip their obligations to pay their fair share of taxes.
I am sure that Julie Ward's recollection of her visit to the National Gallery as a teenager is reliable, but she has misunderstood the reasons for the changes we are making. These are determined by our need to maintain free access, to extend the services and improve the education we provide, as well as to generate income and encourage support at a time when the government grant is reduced.
There have been some fantastic art exhibitions this year and the popularity of box office draws such as Rembrandt and Matisse warms the heart. However as I compiled this list, I couldn't help but notice that the list is dominated by white men - a sore reminder that diversity and representation remains a challenge that must be addressed...
The announcement that Titian's Diana and Callisto has been acquired for the nation is a cause for huge celebration. Not just the fact that a masterpiece will not be going abroad - but also for what it shows about our cultural institutions. Many people thought I was wrong to make boosting philanthropy the mainstay of arts policy. But in difficult times I thought it was right to focus my energies on helping to stabilise the finances of the country's cultural fabric - which I passionately believe is one of our greatest assets.